Artist and Model (The Divorced Princess)Pont-Jest, René de
General
Artist and Model (The Divorced Princess)
Pont-Jest, René de
Man-woman relationships -- Fiction
Within five minutes, having gone a roundabout way, Paul, as if he had
come from the outskirts of the park, met the young woman face to face.
Lise was walking with lowered head, pushing aside idly with the end of
her parasol the dead leaves blown from the oaks and cedars, whose great
branches met overhead in a thick arch, which made the spot dim and
mysterious.
At the sound of the painter's footsteps she raised her eyes.
"You?" she exclaimed, in an ironical voice. "So you are as good a runner
as you are a horseman."
"I don't understand you," said Paul, bowing.
"Because you don't want to. A few moments ago, as I was coming down the
steps from the house, I saw you at one of the windows of the
fencing-room. You must have been very fleet, then, to be here as soon as
I am, coming direct from the château, while you seem to be coming from
the other side of the park."
Finding his stratagem exposed, Paul Meyrin could not but blush slightly.
He quickly recovered his composure, and said frankly:
"Well then, yes, you are right, madame. Chance is not to be thanked for
this meeting. For some days now I have been trying in vain to speak to
you. You seemed to avoid me; and I have dared, therefore, to join you
here and now."
After hesitating a moment or two, and seeming about to turn and retrace
her steps, the daughter of the Countess Barineff, with an odd, resolute
gesture, walked onward.
Paul walked beside her.
The last rays of the sun scarcely pierced the thick wall of verdure
formed by the great trees of the avenue; the air was warm, charged with
electricity, and heavy with the balsamic odors of the Norwegian
pine-trees. From the woods could only be heard the rustle of a breeze,
and the first timid notes, at long intervals, of the song-birds of the
evening. Under these shades, in the perfumed air, a mysterious harmony
reigned, a thrilling calm, of which nature alone has the secret.
"What have you to say to me that is so interesting?" said the princess,
after a momentary silence.
"I have a favor to ask of you."
"A favor? What?"
"That you will sit to me for a few hours."
Whether or not this was the proposal she had expected, the mistress of
Pampeln trembled slightly.
As the princess did not reply, the painter added:
"You would not have me paint a masterpiece, then?"
The artist had spoken the words in so fervid and exalted a tone, that
the princess, halting abruptly, and plunging as it were her eyes into
Paul's, said, in a firm, vibrating voice:
"You love me, Monsieur Meyrin. That is what your request poorly hides."
"Madame."
Public-domain text, read in full here on John Shaqi.
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