Artist and Model (The Divorced Princess)Pont-Jest, René de
General
Artist and Model (The Divorced Princess)
Pont-Jest, René de
Man-woman relationships -- Fiction
In truth, Prince Olsdorf was not merely a titled husband; he had many
other desirable qualities. In the first place, he had a large fortune.
His grandfather had been a field-marshal under the Empress Anne, after
serving her when she was only Princess of Courland. He had profited by
the generosity of his sovereign to enlarge his estates and to construct
on the right bank of the River Wandau the Château of Pampeln, which had
the reputation of being one of the handsomest noblemen's residences in
the country. The prince was an orphan too, which gave occasion to the
Countess Barineff to hope that she might have some hand in the direction
of her daughter's household.
Pierre Olsdorf was permitted then to pay his court, and Lise, although
her heart remained unmoved, was touched as well by the discretion as by
the gentleness of him who was to be her husband.
The prince was of a timid nature, at least as regarded women. Unlike the
greater part of the young St. Petersburg nobles, he had not seen much
"life." He was not a constant spectator at the Michael Theatre, nor a
hanger-on of the ballet. When he quitted the Institute of Nobles, where
he had been educated, instead of joining the corps of imperial pages, as
most youths of good family did, he took up his residence with his uncle
and tutor, Prince Alexis Olsdorf, at Pampeln, an old bachelor who was
rather out of sorts with the court. There he indulged his inborn taste
for horses and hunting. Only after the death of his relative he used to
visit St. Petersburg occasionally, but he never made a long stay there,
a free life in the open air seeming to him preferable to any other.
He owed his good health to this healthy mode of existence, for, born
puny and sickly, he would not have been able to live through the feasts
and pleasures in which he must have taken part if he had joined with the
young fellows of his rank. Pampeln, on the other hand, had saved him
from all excesses.
Though of medium height and delicate in look, he was really strong.
Bodily exertions had made him indefatigable and of a calm courage full
of audacity and coolness. Through his mode of life he had gained
premature gravity and the firmness of a middle-aged man. Kind to his
servants, he was worshiped by them, and the emancipated cultivators of
his estates preserved toward him the respect and obedience of serfs for
their lord. He neglected nothing that might conduce to their material
well-being or their moral elevation. Unhealthy and cramped dwellings had
disappeared from his vast estates, where he had established schools to
which he insisted that all children should be sent. There they not only
received primary, secular, and religious education, but were also taught
French. Everybody, or nearly everybody, for ten leagues around the
château spoke the French language.
Public-domain text, read in full here on John Shaqi.
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