Artist and Model (The Divorced Princess)Pont-Jest, René de
General
Artist and Model (The Divorced Princess)
Pont-Jest, René de
Man-woman relationships -- Fiction
It is easy to believe, then, that the prince lived from choice in
Courland, and it was precisely his liking for the active and honorable
life he led there that made him think one day of taking a wife. The
hospitality of the Olsdorfs was a tradition. He told his wish to General
Podoi, who had been one of his father's friends, and the middle-aged
lover of the Countess Barineff naturally thought at once of making Lise
the mistress of Pampeln.
She was, he thought, just the wife for Peter the Silent, as he liked to
call his young friend. Lise was serious, well-taught, and not given to
frivolity, as most of the young girls of the Russian nobility were. He
spoke of her to the prince, who came to St. Petersburg. After meeting
the daughter of the Countess Barineff two or three times, being struck
by her beauty and the look of distinction about her, he was soon
convinced that he could make no better choice. He asked for her hand,
and, as we have seen, he was accepted.
The aim of the ex-comedienne having been thus far attained, things
followed their regular course. Though he held no post at the court,
Prince Olsdorf, through deference and in accordance with tradition,
asked for the approval of the emperor to his marriage. The consent was
readily given, and Pierre hastened to hand over his mansion at St.
Petersburg, deserted for so many years, to the upholsterers. At this
time the countess won a second victory. Sure of her exquisite taste, the
prince begged her to take the matter in hand, so that nothing was done
in the house of the future bride and bridegroom except by her orders.
Her satisfaction while she was thus engaged was troubled only by a
letter that she received from Paris in reply to that which she had
addressed to her old comrade, Dumesnil.
Less reserved than his friend, the actor at the Odéon Theatre had
written to her:
"MY DEAR MADELEINE,--I am very happy and very proud at
Lise's marriage. I do not regret now the sacrifice I
made, when you became the Countess Barineff, in
allowing this dear child to be acknowledged by him who
gave you his name. I wished above all things to secure
the future of our daughter. Afterward, sacrificing my
own future, I did not rejoin you in Russia, where, it
may be, fortune and glory awaited me."
The old comedian continued his letter with a lamentation on the
decadence of the theater, the want of taste in the public, and the
isolation to which he was condemned. He concluded by charging his former
mistress to kiss, for an old friend, her whom he might not kiss as a
father.
The letter recalled to the Countess Barineff a crowd of disagreeable
memories, and she rather regretted having written to Dumesnil, while she
felt that it would have been difficult not to do so, for she had every
reason to praise the conduct of this good fellow.
Public-domain text, read in full here on John Shaqi.
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