Artist and Model (The Divorced Princess)Pont-Jest, René de
General
Artist and Model (The Divorced Princess)
Pont-Jest, René de
Man-woman relationships -- Fiction
So, too, on the next day but one, when she set out for the Church of
Isaac, where the ceremony was to take place, she was as fresh and
bright-looking, in her dress of white moiré covered with wonderful lace
that had belonged to her husband's mother.
Her entry into the basilica, leaning on the arm of General Podoi, was an
undoubted triumph. The middle-aged lover of the countess would not, for
anything in the world, have delegated his right to lead to the altar, as
her "father of honor," her whom more and more he regarded as his
daughter. Lise, to gain the chair with armorial bearings that awaited
her, had to pass through a friendly crowd made up of all the nobility of
St. Petersburg. The frogged and decorated uniforms, the fine dresses,
the diamonds and their beautiful wearers, were a dazzling sight.
The prince offered his arm to one of the greatest ladies of the court,
the Princess Iwacheff, who acted as "mother of honor" to him, but was
not a relative, as the custom usually requires.
Then came the Countess Barineff. Gratified as her pride was, she still
wore a calm and dignified air. She might have been by right of birth of
the world into one of the first ranks of which her daughter was
entering.
The emperor was represented by one of his _aides-de-camp_. The
arch-priest himself officiated, and when the daughter of the actor
Dumesnil had become a princess, she received with perfect good-breeding
the compliments of those who defiled before her.
A few hours later a princely dinner was served to more than a hundred
guests at Pierre Olsdorf's mansion. Next day the Princess Lise entered
on the noble life for which she had been so long under preparation.
The prince had intended to quit the city for Pampeln immediately after
his marriage; but the season was far advanced, the winter was coming on
rapidly, and the Countess Barineff pointed out that he ought not to
deprive his young wife of the entertainments to which she would be
invited in St. Petersburg, in order to shut her up in a château at a
season of the year when it must necessarily be lonely.
Pierre, as much out of deference to his mother-in-law as from affection
for Lise--of whom he seemed very fond--put off the departure for his
estate until the following spring. His house--as the countess had
promised herself it should--soon became one of the most brilliant in St.
Petersburg.
The fact was not altogether pleasing to the prince. He had never cared
much for the world, and he would rather have had his wife more for
himself alone; but he gave way with a good grace, and balls and
receptions succeeded each other at his house throughout the first six
months of his marriage. The Princess Olsdorf had her box at the Michael
Theatre and at the Italian opera; she was to be seen at all the court
balls; no sledge was horsed like hers; the greatest ladies of the
Russian nobility became her friends; she was famed in all the gossip of
the day for her elegance, wit, and beauty.
Public-domain text, read in full here on John Shaqi.
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