Artist and Model (The Divorced Princess)Pont-Jest, René de
General
Artist and Model (The Divorced Princess)
Pont-Jest, René de
Man-woman relationships -- Fiction
It was Dumesnil, in fact, who had guided the first steps of Madeleine
Froment in her theatrical career, lifting her from the precarious and
doubtful life to which the _abandon_ of her relatives had consigned her
before she was twenty years old. Having made her a mother, he had no
thought of deserting her. On the contrary, he was anxious to acknowledge
his child, when an unhoped-for engagement at St. Petersburg was proposed
to Madeleine, who left Paris with the promise to obtain an engagement
for Dumesnil too at the Michael Theatre. We know what happened. Sought
after, courted, she soon forgot her comrade of the Odéon. Dumesnil did
not know of her marriage with Count Barineff until it was too late to
make any attempt at hindering it.
Mme. Froment touched adroitly the paternal fiber in Dumesnil's heart,
and the good fellow, as we have seen, had let his child become the child
of Count Barineff as much from affection as vanity. But all these
deceptions had sharpened his temper. He had remained an actor through
necessity rather than taste. Sad, discouraged, convinced that all was
over in dramatic composition, and only feeling pleasures when the old
stock pieces were in the bill, he played his parts in the dramas of the
writers of the past with a strict regard for tradition.
However, notwithstanding the cloud that had formed in her azure sky, the
Countess Barineff continued busying herself with the installation of the
future couple. On the appointed day the mansion only lacked its master
and mistress.
The two months' probation that Pierre Olsdorf had undergone had not
lowered him in the estimation of his sweetheart. Certainly Lise did not
feel her heart beat violently when the man whose name she was to bear
kissed her hand, for this grave cavalier, with his slight fair mustache
and half-closed blue eyes, was, perhaps, not the husband of whom she had
caught glimpses in her dreams; but he would make a princess of her, and
the Countess Barineff told her daughter that the happiest unions were
often those which love had not preceded.
The ex-comedienne had made up her mind that the house of the young
couple should become the liveliest place in the world. She would
introduce her friends there; all the artistes that she loved to receive,
all the foreigners who for years back had given her own house a deserved
reputation for wit and elegance.
The last unconscious hesitations of Lise vanished on seeing the marriage
present that the prince offered to her a few days before the ceremony.
There was a fortune in jewels and furs, which were marvels, too, of good
taste. Nevertheless, she slept that evening with her accustomed calm,
and her last nights of maidenhood were troubled by none of the dreams
that haunt the purest on the eve of the most important act of life.
Public-domain text, read in full here on John Shaqi.
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