We got into conversation without ceremony. Nature had introduced us.
Our common appreciation of the loveliness round about broke the ice
and provided a topic for speech. After her first impulsive utterance,
Veronika said little. But the old man was voluble, evidently glad of the
opportunity to express his ideas to a new person. And I was more than
glad to listen, because while doing so I could gaze upon her face to my
heart’s content.
Something that I had said, in reply to a remark of his upon the singing
of the Ave, caused him to ask, “Ah, you understand music? You are a
musician—yes?”
“I play the violin,” I answered.
“Do you hear, Veronika?” he cried. “Our friend plays the violin!
My dear sir, you must do us the favor of playing for us before we part.
Do not be surprised—pay no heed to the formalities. Is not music a
free-masonry? Come, you shall try your skill upon an Amati. Such an
evening as this must have an appropriate ending. Come.”
Without allowing me time to protest, had I been disposed to do so, he
grasped my arm and started off. He kept on talking as we marched along.
I had no attention for what he said. My mind was divided between delight
at my good-fortune, and query as to what its upshot would be. We had not
far to go. A few doors to the west of First avenue he turned up a stoop.
It was a modest apartment-house. We climbed to the topmost story and
stood still in the dark while he fumbled for a match. Then he lighted
the gas and said, “Sit down.” The room was bare and cheerless. A
chromo or two sufficed to decorate the walls. The furniture—a few
chairs and a center-table—was stiff and shabby. The carpet was
threadbare.
But a piano occupied a corner; and the floor, the table, and the chairs
were littered thick with music. So I felt at home. As I look back at
that meager little parlor now, it is transformed into a sanctuary. There
the deepest moments of two lives were spent. Yet to-day strangers
dwell in it; come and go, laugh and chatter, eat, drink, and make merry
between its walls, all unconcernedly, never pausing to bestow a thought
upon the sad, sweet lady whose presence once hallowed the place, whose
tears more than once watered the floor over which they tread with
indifferent footsteps.
The old man lighted the gas and said, “Sit down,” making obedience
possible by clearing a chair of the music it held. Then scrutinizing
my face: “You are a Jew, are you not?” he inquired, in his quick,
nervous way.
“Yes,” I said, “by birth.”
“And by faith?”
“Well, I am not orthodox, not a zealot.”
“Your name?”
“Neuman—Ernest Neuman.”
Public-domain text, read in full here on John Shaqi.
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