“And mine, Tikulski—Baruch. You see we are of one race—the
race—the chosen race! Neither am I orthodox. I keep Yom Kippur, to
be sure, but I have no conscientious scruples against shell-fish, and
indeed the ‘succulent oyster’ is especially congenial to my palate.
This,” with a wave of the hand toward Veronika, “this is my niece,
Miss Pathzuol—P-a-t-h-z-u-o-1—pronounced Patchuol—Hungarian name.
Her mother was my sister.”
Veronika dropped a courtesy. Her eyes seemed to plead, “Do not laugh
at my uncle. He is eccentric; but be charitable.”
“Now, Veronika, show Mr. Neuman your music and find something that you
can play together. I will go fetch the violin.”
The old man left the room.
“What will you play?” asked Veronika. Her voice quavered. She was
timid, as indeed it was natural she should be.
“I don’t know,” I said, my own voice not as firm as I could have
wished. “What have you got?”
We commenced at the top of a big pile of music and had settled upon the
prize song from the Meistersinger—not then as hackneyed as it is
at present, not then the victim of every passable amateur—when Mr.
Tikulski came back. It was in truth an Amati that he brought. The
discolored, half obliterated label within said so—but the label might
have lied. The strong, tense, ringing tone that it emitted in response
to the A which Veronika gave me said so also—and that did not lie. I
played as best I could. Rather, the music played itself. With a violin
under my chin, I lapse into semi-consciousness, lose my identity.
Another spirit impels my arm, pouring itself out through the voice of my
instrument. Not until silence is restored do I realize that I have
been the performer. While the music is going on my personality is
annihilated. With the final note I seem to “come, to,” as one does
from a trance.
When I came to this time it was to be embraced by my host with an
effusiveness that overwhelmed me. “Ah, you are a true musician,”
he cried, releasing me from his arms. “You have the inspiration.
Veronika, speak, tell him how nobly he has played.”
“I can’t speak, I can’t tell him,” answered Veronika, “it has
taken away all power of speech.” But she gave me a glance, allowed her
eyes to stay with mine for a long moment. A fire had been smoldering in
my breast from the first; at these words, at this glance, it burst into
flame. A great light inundated my soul. I felt the arteries tingling to
my very finger tips. I started tuning up, to hide my emotion. Then we
played the march from Raff’s Lenore.
I am afraid my agitation marred the effect of Raffs diamatic
composition. At any rate, the plaudits were faint when I had done. After
a breathing spell Mr. Tikulski told Veronika to sing. She played her own
accompaniment while I stood by to turn.
Public-domain text, read in full here on John Shaqi.
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