“Why, by the simplest of possible means. If one is only observing and has a knack of putting two and two together, most riddles can easily be undone. After our first interview I said, That fellow is above his station; after our second, That fellow is an artist; after our third, I’ll bet my head he is a musician. I have told you it was partly instinct, that made me set you down for an artist. It was partly the tone of your conversation—your tendency to warm up over matters pertaining to the arts, and to cool down when our talk verged the other way. Then a—a certain ignorance that you betrayed about pictures and books and statuary helped on the process of elimination. I concluded that you were a musician—which conclusion was strengthened by the fact of your being a Jew. Music is the art in which the Jews excel. And one day a chance attitude that you assumed, a twist of the neck, a hitch of the shoulder, cried out Violin! as clearly as if by word of mouth—though no doubt the wish fostered the thought, for I have always had a predilection for violinists. Now I will go further and declare that a chagrin of one kind or another is accountable for your present mode of life. A few years ago I should have said: A woman in the case—disappointment in love—and so forth. Now, having become more worldly, I say: Fear of failure, lack of self-confidence. Answer.” “Since you are such an adept at clairvoyance, I need not answer. But don’t let this thing become one-sided. You too are an artist, as you have hinted and as I had fancied. And your art is?” “Guess. I’ll wager you’ll never guess.” “No; I confess I am at a loss. You seem equally familiar with all the arts. One moment I think you are a painter; the next, a sculptor. I’m sure you’re not a musician. And on the whole it seems most probable that you are in some way connected with literature. I don’t know why.” “Good! You have hit the nail on the head! In spite of my slangy speech and my worldly wisdom, learn that I aspire to become a poet! the poet of the practical, of the every day, of the passions of modern life. As yet, however, I am, as the French put it, inédit. The magazines repudiate me. I am too downright, too careless of euphemism, to suit their dainty pages. But this is aside from the point. The point is that I want to hear you play.” “Impossible. For me music is a thing of the past. I haven’t touched a violin these two years. I shall never touch one again. “Bah, bah! Excuse my frankness, but don’t be a child. If you haven’t touched your violin for two years, you have allowed two precious years to leak away. All the more reason for stopping the leak at once. Come in.” “We had arrived in front of an English-basement house in Seventeenth street. “Come in,” he repeated. “This is where I live.” “It is too late,” I said. “Nonsense,” he retorted. “It is never too late. Advance!” I followed him into the house.