The room to which he conducted me was precisely the sort of room one would have expected. It was chock-full of odds and ends, piled about in hopeless confusion. The walls were hung with a reddish paper, and freckled with framed and unframed pictures—etchings, engravings, water-colors, charcoals, some suspended correctly by wires from the cornice, others pinned up loosely by their corners. The ceiling was tinted to harmonize with the walls. The floor was carpetless, of hard wood, waxed to a high degree of slipperiness, and relieved by a sporadic rug or two. Bits of porcelain and metal ware, specimens of old Italian carving, Chinese sculptures in ivory, rich tapestries, bronze and plaster reproductions of antique statuary, and books of all sizes and descriptions and in all stages of decay, were scattered hither and thither without a pretense to order. On the whole the effect of the room was pleasant, though it resembled somewhat closely that of a curiosity-shop gone mad. My host informed me that it was Liberty Hall and bade me make myself at home. Producing a flagon of Benedictine, he said laconically, “Drink.” We drank together in silence. Turning his emptied glass upside down, “Now,” he cried, “now for the music. Now you are going to play.” “Oh, I thought you had forgotten about that,” I answered. “‘Tis not among my talents to forget,” he declaimed, theatrically. “You must prepare to limber up your fingers.” “Really, Mr. Merivale,” I insisted, “you don’t know what you are asking. I should no more think of touching a violin to-night than, than—no need of a comparison. The long and short of the matter is that I have the best of reasons for not wanting to play, and that the most you can urge to the contrary won’t alter my resolution. I hate to seem boorish or disobliging, but really I can’t help it. Besides, my instrument is a mile away and unstrung, and it is so late that the other occupants of this house would be annoyed. And as the subject is extremely painful to me, I wish you would let it drop.” “Oh, if you are going to treat the matter au grand sérieux,” said Merivale, “I suppose I must give in. But you have no idea of how disappointed I shall be. As for an instrument, I’ve a fiddle of my own in the next room—one that I scrape on now and then myself. As for the other occupants of this house, I pay double rent on the condition that my quarters are to be my castle, and that I can create as much rumpus in them, day and night, as I desire. If I were disposed to do so, I could make this a broad proposition of ethics, and maintain that as an artist you have no right to decline to exercise your skill. Your talent is given you in trust—a trust which you violate when you bury the talent in the ground. But I won’t go so far as that. I’ll simply ask you as a favor to play for me, and, if after that you are still obstinate, I’ll hold my peace.” “Well, I am forced to be obstinate. Now let’s change the subject.”