France -- History -- Francis I, 1515-1547 -- Fiction
"This morning! Of whom are you speaking? What do you mean?"
"Of whom am I speaking? of Madame d'Etampes."
"Madame d'Etampes!" echoed the bewildered apprentice. "Why, master you
are wrong, it's not possible. You say that you saw that Madame d'Etampes
loves me?"
"Ascanio, I am forty years old; I have lived, and I know whereof I
speak. By her manner of looking at you, by the favorable opinion which
she has succeeded in leading you to form of her, I would dare swear that
she loves you; and from the enthusiasm with which you defended her just
now I was much afraid that you had fallen in love with her as well. In
that case, dear Ascanio, you would be lost: her love, hot enough to
consume your whole being, when it left you, would leave you with no
illusion, no faith, no hope, and you would have no other resource but to
love others as you had been loved yourself, and to carry to other hearts
the havoc that had been wrought in your own."
"Master," said Ascanio, "I do not know whether Ha dame d'Etampes loves
me, but I am perfectly sure that I do not love Madame d'Etampes."
Benvenuto was no more than half convinced by Ascanio's apparent
sincerity, for he thought that he might be deceived as to his own
feelings. He said nothing more on the subject, and in the days which
followed often gazed at the apprentice with a sad face.
It should be said, however, that he did not seem to be troubled
exclusively on Ascanio's account. He gave every indication of being
tormented by some personal distress. He lost his frank, joyous manner,
and no longer indulged in his original pranks of former days. He always
secluded himself during the forenoon in his room over the foundry, and
had given explicit orders that he should not be disturbed there. The
rest of the day he worked at the gigantic statue of Mars with his
accustomed ardor, but without talking about it with his accustomed
effusiveness. Especially in Ascanio's presence did he seem gloomy,
embarrassed, and almost shamefaced. He seemed to avoid his dear pupil as
if he were his creditor or his judge. In short, it was easy to see that
some great sorrow or some great passion had found its way into that
manly heart, and was laying it waste.
Public-domain text, read in full here on John Shaqi.
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