Astronomy with an Opera-glass: A Popular Introduction to the Study of the Starry Heavens with the Simplest of Optical Instruments — John Shaqi
Astronomy with an Opera-glass: A Popular Introduction to the Study of the Starry Heavens with the Simplest of Optical InstrumentsServiss, Garrett Putman
Science
Astronomy with an Opera-glass: A Popular Introduction to the Study of the Starry Heavens with the Simplest of Optical Instruments
Serviss, Garrett Putman
Astronomy
Finally, we come to the great dragon of the sky. In using the map of
Draco and the neighboring constellations, the reader is supposed to face
the north. The center of the upper edge of the map is directly over the
observer's head. One of the stories told of this large constellation is
that it represents a dragon that had the temerity to war against
Minerva. The goddess "seized it in her hand, and hurled it, twisted as
it was, into the heavens round the axis of the world, before it had time
to unwind its contortions." Others say it is the dragon that guarded the
golden apples in the Garden of the Hesperides, and that was slain by the
redoubtable Hercules. At any rate, it is plainly a monster of the first
magnitude. The stars [beta], [gamma], [xi], [nu], and [mu] represent its
head, while its body runs trailing along, first sweeping in a long
curve toward Cepheus, and then bending around and passing between the
two bears. Try [nu] with your opera-glass, and if you succeed in seeing
it double you may congratulate yourself on your keen sight. The distance
between the stars is about 1'. Notice the contrasted colors of [gamma]
and [beta], the former being a rich orange and the latter white. As you
sweep along the winding way that Draco follows, you will run across many
striking fields of stars, although the heavens are not as rich here as
in the splendid regions that we have just left. You will also find that
Cepheus, although not an attractive constellation to the naked eye, is
worth some attention with an opera-glass. The head and upper part of the
body of Cepheus are plunged in the stream of the Milky Way, while his
feet are directed toward the pole of the heavens, upon which he is
pictured as standing. Cepheus, however, sinks into insignificance in
comparison with its neighbor Cassiopeia, but that constellation belongs
rather to the autumn sky, and we shall pass it by here.
CHAPTER III.
THE STARS OF AUTUMN.
IN the "Fifth Evening" of that delightful, old, out-of-date book of
Fontenelle's, on the "Plurality of Worlds," the Astronomer and the
Marchioness, who have been making a wonderful pilgrimage through the
heavens during their evening strolls in the park, come at last to the
starry systems beyond the "solar vortex," and the Marchioness
experiences a lively impatience to know what the fixed stars will turn
out to be, for the Astronomer has sharpened her appetite for marvels.
"Tell me," says she, eagerly, "are they, too, inhabited like the
planets, or are they not peopled? In short, what can we make of them?"
The Astronomer answers his charming questioner, as we should do to-day,
that the fixed stars are so many suns. And he adds to this information a
great deal of entertaining talk about the planets that may be supposed
to circle around these distant suns, interspersing his conversation with
explanations of "vortexes," and many quaint conceits, in which he is
helped out by the ready wit of the Marchioness.
Public-domain text, read in full here on John Shaqi.
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