At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.Hargrave, John
History
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.
Hargrave, John
World War, 1914-1918 -- Campaigns -- Turkey -- Gallipoli Peninsula -- Personal narratives, British; World War, 1914-1918 -- Medical care; World War, 1914-1918 -- Personal narratives, British
I spotted him in the crowd as the only man on parade with a strong,
clear-cut face. I noted his drooping moustache, and especially his keen
grey eyes, which glittered and looked through and through. Somewhere, I
told myself, there was good blood at the back of beyond on his line of
descent. I was right, for, as he told me later, when I had come to know
him as a trusty friend, he came from a Norseman stock. The jaw was too
square and heavy, but the high-built chiselled nose and the deep-set
clear grey eyes were a “throw-back” on the old Viking trail. Although
dressed in ragged civilian clothes he looked a huge, full-grown,
muscular man; active and well developed, with the arms of a miner and
the chest of a gorilla. On one arm I remember he had a heart with a
dagger through it tattooed in blue and red.
I heard of him first as one to be shunned and feared. For it was said
that “when in drink” he would pick up the barrack-room fender with one
hand and hurl it across the room. I was told that he was a master of the
art of swearing--that he could pour forth a continual flow of oaths for
a full five minutes without repeating one single “cuss.”
My interest was immediately aroused. I smelt adventure, and I was on the
adventure trail. Hawk was not in my barrack-room, and therefore I knew
but little of him while in the old country. I heard that he had been
galloper-dispatch-rider to Lord Kitchener in South Africa, and I tried
to get him to talk about it. As an “artist's model,” for a canvas to
be called “The Buccaneer,” Hawk was perfect. I never saw a man so
splendidly developed.
And Hawk was fifty years old! You would take him for thirty-nine or so.
But “drink and the devil had done for the rest”--Hawk himself
acknowledged it. His vices were the vices of a strong man, and when he
was drunk he was “the very devil.”
He was “the old soldier,” and knew all the ins and outs of army life.
I quickly became entangled in the interest of unravelling his complex
nature. On the one hand he was said to be a desperado and double-dyed
liar. On the other hand, if he respected you, he would always tell you
the naked truth, and would never “let you down.” He knew drink was his
ruin, but he could not and would not stop it. Yet his advice to me
was always good. Indeed, although he had the reputation of a bold, bad
blackguard, he never led any one else on the “wrong trail,” and his
advice to young soldiers in the barrack-rooms was wonderfully clear and
useful.
If he respected you, you could trust your life with him. If he didn't,
you could “look up” for trouble. He was honest and “square”--if he liked
you--but he could make things disappear by “sleight of hand” in a manner
worthy of a West End conjurer.
He was a miner, and had a sound knowledge of mining and practical
geology which many a science-master might have been proud of. He had the
eyes of a trained observer, and I afterwards discovered he was a crack
shot.
Public-domain text, read in full here on John Shaqi.
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