At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war. — John Shaqi
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.Hargrave, John
History
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.
Hargrave, John
World War, 1914-1918 -- Campaigns -- Turkey -- Gallipoli Peninsula -- Personal narratives, British; World War, 1914-1918 -- Medical care; World War, 1914-1918 -- Personal narratives, British
“Heave away Rio! Heave away Rio!
So fare thee well, my sweet pretty maid!
Heave away Rio! Heave away Rio!
For there's plenty of gold--so we've been told--
On the banks of the Sacrament--o!”
An old Irish apple-woman used to come into the barracks, and sit by
the side of the parade ground with two baskets of apples and a box of
chocolate.
She did a roaring trade when we were dismissed from drill.
We always addressed her as “Mother.” She looked so witch-like that one
day I asked--
“Can you tell a fortune, Mother?”
“Lord-love-ye, no! Wad ye have the Cuss o' Jazus upon us all? Ye shud
see the priest, sor.”
“And can he?”
“No, Son! All witch-craftin' is forbid in the Book by the Holy Mother o'
Gord, so they do be tellin' me.”
“Can no one in all Ireland read a fortune now, Mother?”
“Ach, Son, 'tis died out, sure. Only in the old out-an'-away parts 'tis
done; but 'tis terrible wicked!”
She was a good bit of colour. I have her still in my pocket-book. Her
black shawl with her apples will always remind me of early barrack-days
at Limerick if I live to be ninety.
CHAPTER V. I HEAR OF HAWK
Seldom are we lucky enough to meet in real life a character so strong
and vivid, so full of subtle characteristics, that his appearance in a
novel would make the author's name. Such a character was Hawk.
When you consider, you find that many an author of note has made a
lasting reputation by evolving some such character; and in most cases
this character has been “founded on fact.” For example, Stevenson's
“Long John Silver,” Kipling's “Kim,” and Rider Haggard's “Alan
Quatermain.”
Had Kipling met Hawk he would have worked him into a book of Indian
soldier life; for Hawk was full of jungle adventures and stories of the
Indian Survey Department and the Khyber Pass; while his descriptions of
Kashmir and Secunderabad, with its fakirs and jugglers, monkey temples
and sacred bulls, were superb.
On the other hand, Haggard would have placed him “somewhere in Africa,”
a strong, hard man trekking across the African veldt he knew so well;
for Hawk had been in the Boer War.
Little did I realise when I met him on the barrack-square at Limerick
how fate would throw us together upon the scorching sands and rocky
ridges of Gallipoli, nor could either of us foresee the hairbreadth
escapes and queer corners in which we found ourselves at Suvla Bay and
on the Serbian frontier.
Public-domain text, read in full here on John Shaqi.
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