At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war. — John Shaqi
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.Hargrave, John
History
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.
Hargrave, John
World War, 1914-1918 -- Campaigns -- Turkey -- Gallipoli Peninsula -- Personal narratives, British; World War, 1914-1918 -- Medical care; World War, 1914-1918 -- Personal narratives, British
Would any of us ever return across those blue-green waters?... Or would
our bones lie, a few days hence, bleaching on the yellow sands? ...
Mystery and adventure sailed with us--and each day the heat increased.
The sun blazed from a brazen sky, the shadow of the halyards and the
great ventilators were clear-cut black silhouettes upon the baking
decks.
The decks were crammed with that same khaki crowd of civilians who had
cursed and sworn and drilled and growled for ten long months in the
Old Country. You imagine what desperate adventurers they had suddenly
become. Some had never been out of Ireland, others had been as far as
Portsmouth, and taken a return voyage to the Isle of Wight. And each day
we zigzagged across the blue seas towards some unknown Fate... death,
perhaps... victory or failure--who could tell?
Until one day a thin, yellowish-white streak appeared upon the sea-line;
little groups of palms huddled together, and here and there a white dome
or a needle-minaret. And so we warped into harbour, through the boom and
past the lightships, to join the crowd of transports and battle cruisers
lying off this muddled city--the city of wonderful colour, Alexandria.
CHAPTER VIII. THE CITY OF WONDERFUL COLOUR: ALEXANDRIA
Scarlet-orange;
Beetle-green,
Flashing like a magic screen.
Silken garment,
'Broidered hood;
Richly woven gown;
Flashing like a pantomime,
In and out Aladdin's town.
Fretted lattice;
Dancing girl;
Drooping lash and ebon curl.
Silver tassel;
Scented room;
Almond “glad”-eye-look.
Queersome figures prowling round,
From some kiddies' picture-book.
Graeco-Serbian Frontier,
J. H., October 1915.
The coal-yards and dingy quays looked gray and chill. Here were
gray-painted Government sheds, with white numbers on the sliding doors,
dull gray trucks, and dirty sidings.
A couple of Egyptian native police in khaki drill, brown belts,
side-arms, red fezes, and carrying canes, both smoking cigarettes,
swaggered up and down in front of an arc-light.
There were dump-yards and gray tin offices, rusty cranes, and a gray
floating quay. Gangs of Egyptian beggars in ragged clothes and a flock
of little brown children continually dodged the native police as we
sailed slowly through the docks. They were the only touch of colour in a
muddle of Government buildings, stores, and transport ships.
We were all crowding to the handrail looking overboard. The Egyptian
sunset had just vanished and the deep blue of an Eastern night held the
docks in a haze of gloom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account