At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.Hargrave, John
History
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.
Hargrave, John
World War, 1914-1918 -- Campaigns -- Turkey -- Gallipoli Peninsula -- Personal narratives, British; World War, 1914-1918 -- Medical care; World War, 1914-1918 -- Personal narratives, British
The pipe band of the Inniskillings was playing “The Wearin' o' the
Green” in that mournful, gurgling chant which we came to know so well.
One of the little Egyptian beggar-girls was dancing to it on the
floating quay down below us by the flicker of the arc-lamp. She was a
tiny mite, with a shock of black hair and brown face and arms. She wore
a pink dress with some brass buttons hung round her neck. She danced
with all the supple gracefulness of the out-door tribes of the desert,
never out of step, always true and rhythmic in every motion of arms and
body.
When the pipes on board trailed away with a hiss of wind and a choking,
gurgling noise into silence the little dancing girl began to sing in
a deep, musical voice--the voice of one who has lived out-of-doors in
tents--
“Itta long way--Tipple-airy!
--Long way to go!
--Long way--Tipple-airy!
Sweetie girl I know!...”
She sang in broken English, and danced to the tune, which she knew
perfectly.
The khaki crowd aboard whistled and cheered and laughed. Some one threw
a penny. The whole gang of beggars scrambled after it, and there ensued
a scrimmage with much shouting and swearing in Arabic.
We could see the city lit up beyond the dull gray docks.
Next morning we went for a route march through Alexandria. We
marched through the dockyards. Gangs of native workmen in native
costume-coloured robes and bare feet, turbans and red fezes--were
working on the transports, unloading box after box of bully-beef and
biscuit and piling them in huge “dumps” on the quays. Rusty chains
clanked, steam cranes rattled and puffed out whiffs of white steam.
But they did not hustle or hurry. They worked under the direction of
English sergeants and officers, loading and unloading.
At last we got outside the zone of awful ugliness which follows the
British wherever they go. The docks were left behind and the change was
sudden and startling.
It was like putting down a novel by Arnold Bennett and taking up the
Koran.
I did not trouble to keep in step or “cover off.” My eyes were trying
to take in the splendid Eastern scenes. Here were figures which had come
right out of the Arabian Nights.
Was that not Haroun Al Raschid, Commander of the Faithful, disguised
as a water-carrier, with a goatskin bottle slung over his shoulder, and
great yellow baggy trousers and a striped cummerbund?
Here were veiled women and old men squatting under their open bazaar
fronts, with coloured mats and blinds strung across the narrow streets.
Fruit sellers surrounded by melons, and beans, tomatoes and figs and
dates--a jumble of colour, orange, scarlet, green, and gold. Pitchers
and jars and woven carpets; queer Eastern scents; shuttered windows and
flat roofs, mules and here and there a loaded camel, two Jews in black
robes, a band of wild-looking desert wanderers in white with hoods and
veils.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account