At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.Hargrave, John
History
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.
Hargrave, John
World War, 1914-1918 -- Campaigns -- Turkey -- Gallipoli Peninsula -- Personal narratives, British; World War, 1914-1918 -- Medical care; World War, 1914-1918 -- Personal narratives, British
There were shop-assistants, dental mechanics, city clerks, office boys,
medical students, and a whole mass of very ordinary, very uninteresting
people. There was a fair sprinkling of mining engineers and miners,
and these men were more interesting and of a far stronger mental and
physical development. They were huge, full-chested, strong-armed men who
swore and drank heavily, but were honest and straight.
There were characters here from the docks and from the merchant
service, some of whom had surely been created for W.W. Jacobs. One in
particular--Joe Smith, a sailor-man (an engine-greaser, I think)--was
full of queer yarns and seafaring talk. He was a little man with beady
eyes and a huge curled moustache. He walked about quickly, with the
seamen's lurch, as I have noticed most seagoing men of the merchant
service do.
This man “came up” in bell-bottomed trousers and a pea jacket. He was
fond of telling a yarn about a vessel which was carrying a snake in a
crate from the West Indies. This snake got into the boiler when they
were cleaning out the engine-room.
“The capt'in ses to me, 'Joe.' I ses, 'Yes-sir.' 'Joe,' says 'e, 'wot's
to be done?'
“'Why,' ses I, 'thing is ter git this 'ere snake out ag'in!'
“'Jistso,' says the capt'in; 'but 'oo' ter do it?'--'E always left
everythink ter me--and I ses, 'Why, sir, it's thiswise, if sobe all the
others are afeared, I ain't, or my name's Double Dutch.'
“'Very good, melad,' ses the capt'in, 'I relies on you, Joe.'--'E always
did--and would you believe it, I upped an' 'ooked that there great
rattlesnake out of the boiler with an old hum-brella!”
There was a clerk who stood six-foot eight who was something of a
“knut.” He told me that at home he belonged to a “Lit'ry Society,” and I
asked him what books they had and which he liked.
“Books?” he asked. “'Ow d'yow mean?”
“You said a Literary Society, didn't you?”
“Oh yes, we 'ave got books. But, you know, we go down there and 'ave
a concert, or read the papers, and 'ave a social, perhaps, you know;
sometimes ask the girls round to afternoon tea.”
I had a barrack-room full of these people to look after. Most of them
got drunk. Once a young medical student tried to knife me with a Chinese
jack-knife which his uncle, a missionary, had given him. He had “downed”
too much whisky. Just as boys do at school, so these men formed into
cliques, and “hung together” in twos and threes.
Some of them, like the “lit'ry society” clerk, had never seen much of
life or people; had lived in a little suburban villa and pretended to
be “City men.” Others had knocked about all over the world. These were
mostly seafaring men. Savage was such a one. He was one of the buccaneer
type, strong and sunburnt, with tattooed arms. Often he sang an old
sea-song, which always ended, “Forty-five fadom, and a clear sandy
bottom!” He knew most of the sea chanties of the old days, one of which
went something in this way--
Public-domain text, read in full here on John Shaqi.
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