At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
Farther away slipt the Whirlpool city and its surroundings. Once more
was Brooke sketching in oils, with some friends who often went to the
Carlo Rossi garden to pose for each other. Her subject was a girl of the
Boulevards, nominally a flower seller. Successful in the drawing and
colour, try as she might Brooke could not give the touch that should
bring the lifelike expression to the face. With knit brows she looked up
to see whose was the shadow cast on the grass before her. It was Lorenz,
big, honest fellow, his hands clasped upon the back of the garden seat,
his thatch of dark hair sticking out over his deep-set blue eyes, while
a questioning expression involved in its uncertainty his straight nose,
his deeply cleft chin, and the sensitive yet strong mouth that separated
them. Even his short-cut mustache, which accentuated rather than
concealed his lips, expressed doubt.
“What is it, M. Lorenz?” Brooke had asked, smiling at his serious air;
“no one ever tells me anything definite but you. The master says, ‘Good!
keep on!’ One friend only grunts; some one else says ‘_Pas mal_.’ I know
that I must work, work, work, but what do I most lack?”
Lowering his eyes almost to the grass itself, he spoke rapidly, as if the
telling was a pain to him: “You have not yet had the awakening; for it
you must wait; it is the same with me, but I may not dry my brushes to
wait for the day, only work, and destroy, and work again, come good, come
ill. It is not enough to block the form and lay on the colours truly.
Unless you can interpret your vision and see its shadow on the canvas,
watch it draw breath, move, and speak to you, you can never create. But
first of all you must know and feel, even if you suffer. How can you
interpret this woman before you? Never could you paint for what she
stands. Try children, animals, anything else—or better, dry your brush
and wait!”
Brooke had flushed angrily and answered curtly; even now the memory
brought colour to her cheeks. Only once again had she seen Lorenz before
leaving, and now two years had passed. What had become of him? There were
depths in this woman’s nature that her parents, all devotion in their
different ways, had never fathomed, of which her friends of every day
had never dreamed; and in one of these secret places, all unconscious to
herself, this man had gained sufficient place at least to bar all others.
Public-domain text, read in full here on John Shaqi.
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