At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
While she was thus dreaming away the afternoon, the concert being ended,
the throng pressed toward the gallery, and the confusion of voices, high
in key and surging on, brought Brooke quickly to herself. Rising, she
turned over the pages of the catalogue, reading the artists’ names, and
sauntered down the line to where the numbers began, nodding occasionally,
or saying a few words to friends that came up; some of whom were stopping
to see the pictures, others merely noting the scenic effect of the whole.
Suddenly she halted so abruptly, her fingers gripping the page between
them with noticeable tension, that a man behind nearly fell over her,
while her eyes fastened on the letters that said, “24: Eucharistia. M.
Lorenz. 1901.” Before she could read the details opposite, the man whom
she had stopped, Charlie Ashton (now Carolus, cousin to Lucy Dean and a
courtesy artist possessed of a popular studio for concerts) looked over
her shoulder and said:—
“Ah, Miss Lawton, looking for the picture the Senator’s gone daft about,
because he thinks the woman in it looks like his wife when he first saw
her as a girl out in the California wine country? It’s over this way,
that one with the long palm over the frame. I’ve just come from there;
everybody’s crowding round, guessing what the name means. I suggested
making up a guessing pool on it at five a head, and letting the winner
choose the charity; the Bishop is having a shy at it now.”
Brooke steadied herself, and crossing the room joined the group,
catching at first but a partial glimpse of the picture.
“Step back here by this holly tree; this distance is needed to preserve
the atmosphere,” said Ashton, guiding her by the sleeve into an alcove
formed of holly and laurel bushes arranged to shelter an exquisite ivory
statuette of Diana, the crescent, fillet, and bow being of rich gold.
“I have never before seen pictures so well hung,” said Brooke, glancing
about as they waited for the crowd to move on, as it soon inevitably
would, toward the banquet hall.
“A well-placed remark, Miss Brooke, sent straight home,” gurgled Ashton,
plucking at his collar, which was too tight for his short neck. “I may
say that I virtually hung these pictures, for I sent the Senator the
man who did, you know. Before I forget it, the Bagby girls and the rest
asked me to see you about arranging a benefit concert for that pretty
little Julia Garth,—used to give such stunning musicales a year ago,—now
old Garth is dead, and they’ve gone to no-put-together smash! Yes, not a
cent! I’ve offered my studio for it, and they thought perhaps you’d give
a picture to raffle,—just any little thing you’ve thrown off in a hurry
will do.”
Public-domain text, read in full here on John Shaqi.
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