At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“Good work, isn’t it?—though half a dozen of us here at home could do as
well, if we had the atmosphere, you know,” said Ashton’s voice, sounding
through the rush of waters that filled her ears. “The Senator boasts that
he was the first to recognize the artist whom every one now applauds, and
he paid a cool ten thousand for it, the man’s first important picture at
that! The old man saw it in the new Salon, but it wasn’t for sale. ‘No,
no, no,’ said the artist,—‘he had a superstition, a sentiment, a desire
to keep it,’—but the Senator thought ‘Yes, yes, yes, the desire will
decrease with time and—money,’ and so it did, for this fall, just as the
Parkses were on the verge of leaving, the Senator doubled the first offer
and Lorenz capitulated. Then, before the ‘brotherhood’ could borrow his
‘luck penny’ he disappeared somewhere in Normandy, they say, to study,
out of the depressing sound of the pot-boiling of the Quarter. Half his
friends were glad, Ridgeway wrote me, and the other half, being jealous,
shrugged their shoulders and raised their eyes, groaning, ‘Another mad
American!’
“I have it all down fine, you see, for the papers to-morrow,—great
scheme! I had a Harvard chum that was, Tom Brownell, who won’t go the
respectable pace his father set for him in finance, and has turned
reporter, work it up. He wants news, and, plague it, it must be _true_ or
he won’t touch it. Of course I don’t appear in it, but all the credit is
socially mine, you see.
“Why, come to think of it, Miss Brooke, I believe the girl looks a bit
like you! Did you ever chance to see this man? But then, of course, so
many charming women look alike in those stunning shirt-waist things, you
know. What do you make of the name?”
Brooke wished that he might babble on as long as possible, that she
might learn the painting by heart and try to fathom the peculiarity of
the shaft of light, but as he stopped she said, almost without thought,
“Eucharistia! why may it not be the girl’s name?”
“By Jove! of course, we never thought of it!” said Ashton. “You’re
growing quite pale from standing so long. You must have some punch. Do
let me take you to the banquet hall; it’s jolly nice there—all small
tables and souvenir menus in silver frames. I planned them, too, though
Tiffany’s name _is_ on them. There’s Cousin Lucy, and the Bagby girls are
waving to you now.” (“Yes, we’re under way, hold a table,” he signalled.)
“We can cook up the concert while we feed,” and offering his arm, upon
which Brooke laid her hand gratefully, for she felt a sudden weariness,
he led her through the maze of skirts and furniture as skilfully and
rapidly as if he had been her partner in the cotillon, and seated her at
one of the little tables amid a bevy of her friends, who were discussing
the house, the hostess, the flowers, the menus, and the fallen fortunes
of poor Julia Garth in a most impartial way, and at the top of their
voices.
Public-domain text, read in full here on John Shaqi.
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