At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“Of course it’s awful to suddenly drop from having your gowns from Paris,
a maid, a private turnout, and keeping open house—or rather houses—and
all that, to a flat somewhere in Brooklyn, with a sick mother, and trying
to work off your music for a living,” said one shrill voice; “but then it
is an awful bore, too, for us to have her on our minds. This concert is
only the beginning, I suppose.”
“Julia plays delightfully, and we all have more or less chamber music
during the winter, and one of us might take her to Lenox or Newport this
summer,” said another, in a reproving tone; “and then among us all there
are plenty of children for her to teach.”
“If she plays and sings for us all winter, that is sufficient reason why
we shall be sick of her next summer,” said the first voice. “You know how
it was with Mrs. Darcey Binks and her Creole songs. We thought we could
not get enough of her. She thought she was settled here for life, and
biff! the Spanish mandolin players knocked her out the second season. As
for lessons, if you take up some one half out of charity, and then go
South in the middle of a term, they will always whine about it, and you
feel mean; a professional can take care of herself and always gets even,
but doesn’t let you know it.”
“I wish we could think of something newer than a concert, that would make
a hit and a pot of money,” said Lucy Dean, not bragging of the fact that
she had already asked Julia Garth to come and live with her, and been
refused kindly but firmly. “What can you suggest, Brooke? you are always
overflowing with ideas, even if some of them are too good for this world.”
Brooke, thus challenged, half rose in her chair so that she faced both
tables, and said: “I do not believe in offering Julia what she would
accept as work and you consider as charity; it is false pretence on both
sides! We can easily make up a Christmas purse for her among ourselves,
without giving her the pain of the advertising of a benefit concert,
and all the talk of it. Then when she has a chance to know where she
stands,—her father only died a month ago, poor child,—I will get my
father or yours” (motioning to Lucy) “to give her _real_ work for _real_
pay, and with no charitable tag hanging to it. She has kept household
accounts and sometimes been her father’s private secretary. I saw her
last week, and what she wants and is able to do is real work and plenty
of it to make her forget, not charity coddling to make her remember.”
“Mercy on me! don’t cut us up like cheese sandwiches, with your sarcasm!”
ejaculated Lucy, “and clutch that chair so, as if you had claws. Your
eyes remind me of a hawk that perches in a cage over in the park opposite
my window, and glares all day long at the silly sparrows outside!”
Public-domain text, read in full here on John Shaqi.
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