August Strindberg, the Spirit of Revolt: Studies and ImpressionsLind-af-Hageby, L. (Lizzy)
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August Strindberg, the Spirit of Revolt: Studies and Impressions
Lind-af-Hageby, L. (Lizzy)
Strindberg, August, 1849-1912
"The trade-diseases of the urban working-man seemed to be transmitted;
here one saw in miniature the lungs and the blood of the gas-worker,
ruined through sulphurous fumes; the shoulders and flattened feet of
the smith; the brain of the painter, atrophied through the fumes of
varnish and poisonous paints; the scrofulous eruption of the sweep;
the contracted chest of the bookbinder; here one heard the echo of the
cough of the metal-worker and the asphalt manufacturer; smelt the
poisons of the wall-paper maker; noticed the watchmaker's myopia in new
editions. In truth, this was not a race which possessed the future,
or upon which the future could reckon, and it cannot reproduce itself
for any length of time, for the ranks of the artisans are constantly
recruited from the country."
His sympathy with the working classes was no passing sentiment; it was
the lasting keynote of his plea for social justice which is clearly
heard through the cacophony of some of his later outbursts against the
social order.
Rebellious, contempt of current morals and respectability rose as
a mighty force in the mind of this extraordinary schoolmaster. His
morning duties at the board-school and his afternoon work as private
tutor to the daughters of a well-to-do and refined family compelled
him to outward decorum. But he did not live virtuously. His sense-life
was awake, and he recognised no necessity for restraint. The strivings
after ascetic peace which filled his adolescence had been laid
aside; with the breaking of his faith in the watchful solicitude of
Jesus, natural impulses had been set free. His autobiography records
his early struggles, and his later "fall" with the same detached
imperturbability. He lacks the sense of shame which avoids certain
topics. He observes no reticences. The pages in many of his books are
studded with coarse language and unsavoury references to physical
life. The sexual cynicism which pervades the story of his life is only
relieved by his perfect sincerity.
He describes the pleasures of inebriation with similar frankness. At
the age of nineteen he was already familiar with Bacchic revels. His
brain was inflamed with ideas, congested with unformulated thought. The
narcosis of alcohol attracted him.
Public-domain text, read in full here on John Shaqi.
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