August Strindberg, the Spirit of Revolt: Studies and ImpressionsLind-af-Hageby, L. (Lizzy)
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August Strindberg, the Spirit of Revolt: Studies and Impressions
Lind-af-Hageby, L. (Lizzy)
Strindberg, August, 1849-1912
"Sometimes melancholy, at other times gay," he writes, "he sometimes
felt an irresistible craving to extinguish the burning fire of thought
and to stop the turmoil of the brain. Shy, he sometimes felt impelled
to come forward, to make an impression, to find an audience, to
appear in public. When he had drunk a great deal, he wished to recite
great and solemn things, but in the middle of the piece, when ecstasy
was at its height, he heard his own voice, became shy, frightened,
thought himself ridiculous, stopped suddenly, changed his tone, took
up the comical, and finished with a grimace. He had pathos, but only
for a while; then self-criticism came, and he laughed at his forced
emotions." Strindberg finds another explanation of his craving for
alcohol in the lack of nourishing diet at Upsala and the dulness of
his home in Stockholm. "Strong liquors gave him strength," he says,
"and he slept well after them." He adds: "Like the rest of the race,
he was born of drunkards, generation after generation from pagan times
immemorial, when ale and mead were used, and the desire had inevitably
become a necessity."
He was not a success as a board-school teacher. There were bargains
with his conscience during scripture lessons, and the prevailing system
of teaching seemed a cruel parody. He shrank from the sights and sounds
and smells of the herd of poor children. Ambition and intellectual
hunger called him to seek experience elsewhere.
His restlessness was increased through reading Byron's _Manfred_ and
Schiller's _Die Räuber_. He tried to translate the former into Swedish,
but discovered to his chagrin that he could not write blank verse. Karl
Moor in _Die Räuber_ laid hold of his imagination with the claims of a
kindred spirit. Here was his own heterodoxy and revolt against laws,
society, customs, religion made manifest in a living, literary figure
by a great writer. Schiller's maturer repudiation of his fierce bandit
did not trouble him. Manfred fleeing from himself to the Alps appealed
to him as a feat of rebellion complementary to Karl Moor's adventures.
Public-domain text, read in full here on John Shaqi.
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