August Strindberg, the Spirit of Revolt: Studies and ImpressionsLind-af-Hageby, L. (Lizzy)
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August Strindberg, the Spirit of Revolt: Studies and Impressions
Lind-af-Hageby, L. (Lizzy)
Strindberg, August, 1849-1912
At the beginning of the autumn term he arrived in Upsala hungry and
with one krona in his pocket. He felt justified in borrowing from
friends, for he was confident of the future. With the small sums which
he succeeded in drawing on the bank of friendship he rented a miserable
room, which contained little but a bed without sheets or pillowcases.
He lay on it in his underclothing, reading by the light of a candle
stuck in a bottle. Kind friends were responsible for an irregular
supply of food, but no spartan resolutions could temper the cold
weather. He succeeded in borrowing a little wood and carried it home
under cover of darkness. A physicist taught him to extract the full
calorific value from the charcoal. There was a stovepipe in the room
which was hot every Thursday when the landlady did her washing. Then
he stood reading with his hands on his back, leaning against the pipe,
with the chest of drawers doing service as a reading-desk.
His Viking play had meanwhile been accepted. The first performance was
received coldly. The critics were ungracious; he was accused of having
borrowed the form from Ibsen, though the cold restraint and rugged
simplicity of the language were directly inspired by the Icelandish
Sagas.
Sick at heart, Strindberg resumed his battle with poverty and
dejection. The darkness of uncertainty was again upon him, when, with
the suddenness which is usually reserved for good boys in fairy tales,
Fortuna held out her hand. He received a letter announcing that the
King was interested in his play and wished to see him. He could not
believe his eyes, and suspected that the letter was a joke. On being
re-assured of the genuineness of the message, he went to Stockholm
and was received by Charles XV. The King smiled as the young author
made his stumbling way to the royal presence through the lines of
courtiers, and greeted him with geniality. Charles XV, himself a poet,
expressed the pleasure which he had derived from the Viking play, and
his personal interest in the revival of the old northern tales. After
inquiries regarding Strindberg's financial prospects, the King ordered
a yearly stipend of eight hundred kronor to be paid to him from the
privy purse.
August left the palace, moved and grateful, with the first quarterly
instalment of the monarch's bounty in his pocket.
Public-domain text, read in full here on John Shaqi.
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