Augustus Does His Bit: A True-to-Life Farce — John Shaqi
Augustus Does His Bit: A True-to-Life FarceShaw, Bernard
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Augustus Does His Bit: A True-to-Life Farce
Shaw, Bernard
English drama (Comedy); World War, 1914-1918 -- Great Britain -- Drama
Produced by Eve Sobol
AUGUSTUS DOES HIS BIT
A TRUE-TO-LIFE FARCE
By George Bernard Shaw
I wish to express my gratitude for certain good offices which Augustus
secured for me in January, 1917. I had been invited to visit the theatre
of war in Flanders by the Commander-in-Chief: an invitation which was,
under the circumstances, a summons to duty. Thus I had occasion to
spend some days in procuring the necessary passport and other official
facilities for my journey. It happened just then that the Stage Society
gave a performance of this little play. It opened the heart of
every official to me. I have always been treated with distinguished
consideration in my contracts with bureaucracy during the war; but on
this occasion I found myself persona grata in the highest degree. There
was only one word when the formalities were disposed of; and that
was "We are up against Augustus all day." The showing-up of Augustus
scandalized one or two innocent and patriotic critics who regarded the
prowess of the British army as inextricably bound up with Highcastle
prestige. But our Government departments knew better: their problem was
how to win the war with Augustus on their backs, well-meaning, brave,
patriotic, but obstructively fussy, self-important, imbecile, and
disastrous.
Save for the satisfaction of being able to laugh at Augustus in the
theatre, nothing, as far as I know, came of my dramatic reduction of him
to absurdity. Generals, admirals, Prime Ministers and Controllers, not
to mention Emperors, Kaisers and Tsars, were scrapped remorselessly at
home and abroad, for their sins or services, as the case might be. But
Augustus stood like the Eddystone in a storm, and stands so to this day.
He gave us his word that he was indispensable and we took it.
Augustus Does His Bit was performed for the first time at the Court
Theatre in London by the Stage Society on the 21st January, 1917,
with Lalla Vandervelde as The Lady, F. B.J. Sharp as Lord Augustus
Highcastle, and Charles Rock as Horatio Floyd Beamish.
AUGUSTUS DOES HIS BIT
The Mayor's parlor in the Town Hall of Little Pifflington. Lord Augustus
Highcastle, a distinguished member of the governing class, in the
uniform of a colonel, and very well preserved at forty-five, is
comfortably seated at a writing-table with his heels on it, reading The
Morning Post. The door faces him, a little to his left, at the other
side of the room. The window is behind him. In the fireplace, a gas
stove. On the table a bell button and a telephone. Portraits of past
Mayors, in robes and gold chains, adorn the walls. An elderly clerk with
a short white beard and whiskers, and a very red nose, shuffles in.
AUGUSTUS [hastily putting aside his paper and replacing his feet on the
floor]. Hullo! Who are you?
THE CLERK. The staff [a slight impediment in his speech adds to the
impression of incompetence produced by his age and appearance].
AUGUSTUS. You the staff! What do you mean, man?
Public-domain text, read in full here on John Shaqi.
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