Auld lang syne. Second series : $b My Indian friendsMüller, F. Max (Friedrich Max)
History
Auld lang syne. Second series : $b My Indian friends
Müller, F. Max (Friedrich Max)
India; Müller, F. Max (Friedrich Max), 1823-1900 -- Friends and associates
We must never forget that the ancient literature of India was entirely
mnemonic. This may sound almost incredible, yet there are few Sanskrit
scholars who would any longer doubt it. In their recognised system of
education the imprinting of the ancient books on the memory of the young
was the most essential feature. Boys, not girls, had to spend years and
years of their youth, while staying in the house of a Guru, in learning
by heart line after line of certain books, and nothing else. Thus only
can we account for the wonderful capacity and tenacity of their memory.
They at first learnt their sacred books, as I have known children to
learn poems in a foreign language, without even attempting to understand
a single word. Children of good Brâhman families were simply treated
like sheets of paper, on which the teacher impressed letters, syllables,
words, and sentences by sound only. Later only came the time for going
over (Adhyayana) what stood thus imprinted on their memory, and for
understanding, under the guidance of qualified teachers, its real
purport. This, too, may seem almost incredible to us, but in the absence
of writing and printing, what else could have been done? Every boy who
passed through the orthodox system of education (Brahma_k_aryâ) became a
copy of whatever text he was made to learn, and this copy had to be kept
in good condition by constant repetition. Unless we keep this clearly
before our mind, we shall never understand the state of ancient
literature in India, with all its changes and chances, before the
introduction of writing. When we consider, for instance, the enormous
bulk of the ancient Sanskrit epic, the Mahâbhârata, a poem of more than
90,000 couplets, four volumes quarto, we hesitate before accepting it as
a mnemonic poem. And yet we have what amounts to almost positive
evidence of the poem having existed before the introduction of writing
into India, in the fact that there is an episode, added at the beginning
of the poem, in which we are told how the whole poem was reduced to
writing by the god Ga_n_e_s_a, and that this episode is absent in many
MSS., particularly those of the South of India. And even after the
introduction of writing every precaution was taken to keep certain
sacred texts from being written down, so as to force each rising
generation to learn their literature, sacred and profane, from the mouth
of a teacher, and not from a manuscript. Even to the present day this
old system of imprinting whole books on the brain has not been allowed
to become entirely obsolete, and the mnemonic achievements which in
several cases I have witnessed myself in young men when they come to
Oxford are almost unbelievable.
Public-domain text, read in full here on John Shaqi.
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