Auld lang syne. Second series : $b My Indian friendsMüller, F. Max (Friedrich Max)
History
Auld lang syne. Second series : $b My Indian friends
Müller, F. Max (Friedrich Max)
India; Müller, F. Max (Friedrich Max), 1823-1900 -- Friends and associates
He was not an antiquarian, nor a student of his own religion or of the
language of his own sacred books. But when he was told by Burnouf what
my plans were, and how I had actually copied and collated the MSS. of
the Veda at Paris, he took a lively interest in me. He invited me, and I
often spent the mornings with him, talking about India and Indian
customs. Strange to say, he was devotedly fond of music, and had
acquired a taste for Italian and French music. What he liked was to have
me to accompany him on the pianoforte, and I soon found that he had not
only a good voice, but had been taught fairly well. So we got on very
well together. After complimenting him on his taste for Italian music, I
asked him one morning to give me a specimen of real Indian music. He
sang first of all what is called Indian, but is really Persian music,
without any style or character. This was not what I wanted, and I asked
whether he did not know some pieces of real Indian music. He smiled and
turned away. “You would not appreciate it,” he said; but, as I asked him
again and again, he sat down to the pianoforte, and, after striking a
few notes, began to play and sing. I confess I was somewhat taken aback.
I could discern neither melody, nor rhythm, nor harmony in what he sang;
but, when I told him so, he shook his head and said: “You are all alike;
if anything seems strange to you and does not please you at once, you
turn away. When I first heard Italian music, it was no music to me at
all; but I went on and on, till I began to like it, or what you call
understand it. It is the same with everything else. You say our religion
is no religion, our poetry no poetry, our philosophy no philosophy. We
try to understand and appreciate whatever Europe has produced, but do
not imagine that therefore we despise what India has produced. If you
studied our music as we do yours, you would find that there is melody,
rhythm, and harmony in it, quite as much as in yours. And if you would
study our poetry, our religion, and our philosophy, you would find that
we are not what you call heathens or miscreants, but know as much of the
Unknowable as you do, and have seen perhaps even deeper into it than you
have!” He was not far wrong.
Public-domain text, read in full here on John Shaqi.
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