Scotland -- Social life and customs -- 19th century -- Fiction
a pedler, and was found dead one raw morning dangling over a high
wall within a few miles of Thrums. When climbing the dyke his pack had
slipped back, the strap round his neck, and choked him.
You could generally tell an Auld Licht in Thrums when you passed him,
his dull, vacant face wrinkled over a heavy wob. He wore tags of yarn
round his trousers beneath the knee, that looked like ostentatious
garters, and frequently his jacket of corduroy was put on beneath his
waistcoat. If he was too old to carry his load on his back, he wheeled
it on a creaking barrow, and when he met a friend they said, “Ay,
Jeames,” and “Ay, Davit,” and then could think of nothing else. At long
intervals they passed through the square, disappearing or coming into
sight round the town-house which stands on the south side of it, and
guards the entrance to a steep brae that leads down and then twists up
on its lonely way to the county town. I like to linger over the square,
for it was from an upper window in it that I got to know Thrums. On
Saturday nights, when the Auld Licht young men came into the square
dressed and washed to look at the young women errand-going, and to laugh
some time afterward to each other, it presented a glare of light; and
here even came the cheap jacks and the Fair Circassian, and the showman,
who, besides playing “The Mountain Maid and the Shepherd's Bride,”
exhibited part of the tall of Balaam's ass, the helm of Noah's ark, and
the tartan plaid in which Flora McDonald wrapped Prince Charlie. More
select entertainment, such as Shuffle Kitty's wax-work, whose motto was,
“A rag to pay, and in you go,” were given in a hall whose approach was
by an outside stair. On the Muckle Friday, the fair for which children
storing their pocket-money would accumulate sevenpence halfpenny in
less than six months, the square was crammed with gingerbread
stalls, bag-pipers, fiddlers, and monstrosities who were gifted with
second-sight. There was a bearded man, who had neither legs nor arms,
and was drawn through the streets in a small cart by four dogs. By
looking at you he could see all the clock-work inside, as could a boy
who was led about by his mother at the end of a string. Every Friday
there was the market, when a dozen ramshackle carts containing
vegetables and cheap crockery filled the centre of the square, resting
in line on their shafts. A score of farmers' wives or daughters in
old-world garments squatted against the town-house within walls of
butter on cabbage-leaves, eggs and chickens. Toward evening the voice
of the buckie-man shook the square, and rival fish-cadgers, terrible
characters who ran races on horseback, screamed libels at each other
over a fruiterer's barrow. Then it was time for douce Auld Lichts to go
home, draw their stools near the fire, spread their red handkerchiefs
over their legs to prevent their trousers getting singed, and read their
“Pilgrim's Progress.”
Public-domain text, read in full here on John Shaqi.
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