Scotland -- Social life and customs -- 19th century -- Fiction
Every seat was put up to
auction separately; for some were much more run after than others, and
the men were instructed by their wives what to bid for. Often the women
joined in, and as they bid excitedly against each other the church rang
with opprobrious epithets. A man would come to the roup late, and learn
that the seat he wanted had been knocked down. He maintained that he
had been unfairly treated, or denounced the local laird to whom the
seat-rents went. If he did not get the seat he would leave the kirk.
Then the woman who had forestalled him wanted to know what he meant by
glaring at her so, and the auction was interrupted. Another member would
“thrip down the throat” of the auctioneer that he had a right to his
former seat if he continued to pay the same price for it. The auctioneer
was screamed at for favoring his friends, and at times the group became
so noisy that men and women had to be forcibly ejected. Then was Pete's
chance. Hovering at the gate, he caught the angry people on their way
home and took them into his workshop by an outside stair. There he
assisted them in denouncing the parish kirk, with the view of getting
them to forswear it. Pete made a good many Auld Lichts in his time out
of unpromising material.
Sights were to be witnessed in the parish church at times that could
not have been made more impressive by the Auld Lichts themselves. Here
sinful women were grimly taken to task by the minister, who, having
thundered for a time against adultery in general, called upon one sinner
in particular to stand forth. She had to step forward into a pew
near the pulpit, where, alone and friendless, and stared at by the
congregation, she cowered in tears beneath his denunciations. In that
seat she had to remain during the forenoon service. She returned home
alone, and had to come back alone to her solitary seat in the afternoon.
All day no one dared speak to her. She was as much an object of
contumely as the thieves and smugglers who, in the end of last century,
it was the privilege of Feudal Bailie Wood (as he was called) to whip
round the square.
It is nearly twenty years since the gardeners had their last “walk” in
Thrums, and they survived all the other benefit societies that walked
once every summer. There was a “weavers' walk” and five or six others,
the “women's walk” being the most picturesque. These were processions of
the members of benefit societies through the square and wynds, and all
the women walked in white, to the number of a hundred or more, behind
the Tillie-drum band, Thrums having in those days no band of its own.
From the northwest corner of the square a narrow street sets off,
jerking this way and that, as if uncertain what point to make for. Here
lurks the post-office, which had once the reputation of being as crooked
in its ways as the street itself.
Public-domain text, read in full here on John Shaqi.
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