English poetry -- 19th century; Epic poetry, English; Novels in verse
And so, like most young poets, in a flush
Of individual life, I poured myself
Along the veins of others, and achieved
Mere lifeless imitations of live verse,
And made the living answer for the dead,
Profaning nature. ‘Touch not, do not taste,
Nor handle,’—we’re too legal, who write young:
We beat the phorminx till we hurt our thumbs,
As if still ignorant of counterpoint;
We call the Muse.... ‘O Muse, benignant Muse!’—
As if we had seen her purple-braided head
With the eyes in it, start between the boughs
As often as a stag’s. What make-believe,
With so much earnest! what effete results,
From virile efforts! what cold wire-drawn odes,
From such white heats!—bucolics, where the cows
Would scare the writer if they splashed the mud
In lashing off the flies,—didactics, driven
Against the heels of what the master said;
And counterfeiting epics, shrill with trumps
A babe might blow between two straining cheeks
Of bubbled rose, to make his mother laugh;
And elegiac griefs, and songs of love,
Like cast-off nosegays picked up on the road,
The worse for being warm: all these things, writ
On happy mornings, with a morning heart,
That leaps for love, is active for resolve,
Weak for art only. Oft, the ancient forms
Will thrill, indeed, in carrying the young blood.
The wine-skins, now and then, a little warped,
Will crack even, as the new wine gurgles in.
Spare the old bottles!—spill not the new wine.
Public-domain text, read in full here on John Shaqi.
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