English poetry -- 19th century; Epic poetry, English; Novels in verse
By Keats’s soul, the man who never stepped
In gradual progress like another man,
But, turning grandly on his central self,
Ensphered himself in twenty perfect years
And died, not young,—(the life of a long life,
Distilled to a mere drop, falling like a tear
Upon the world’s cold cheek to make it burn
For ever;) by that strong excepted soul,
I count it strange, and hard to understand,
That nearly all young poets should write old;
That Pope was sexagenarian at sixteen,
And beardless Byron academical,
And so with others. It may be, perhaps,
Such have not settled long and deep enough
In trance, to attain to clairvoyance,—and still
The memory mixes with the vision, spoils,
And works it turbid.
Or perhaps, again,
In order to discover the Muse-Sphinx,
The melancholy desert must sweep round,
Behind you, as before.—
For me, I wrote
False poems, like the rest, and thought them true,
Because myself was true in writing them.
I, peradventure, have writ true ones since
With less complacence.
But I could not hide
My quickening inner life from those at watch.
They saw a light at a window now and then,
They had not set there. Who had set it there?
My father’s sister started when she caught
My soul agaze in my eyes. She could not say
I had no business with a sort of soul,
But plainly she objected,—and demurred,
That souls were dangerous things to carry straight
Through all the spilt saltpetre of the world.
She said sometimes, ‘Aurora, have you done
Your task this morning?—have you read that book?
And are you ready for the crochet here?’—
As if she said, ‘I know there’s something wrong;
I know I have not ground you down enough
To flatten and bake you to a wholesome crust
For household uses and proprieties,
Before the rain has got into my barn
And set the grains a-sprouting. What, you’re green
With out-door impudence? you almost grow?’
To which I answered, ‘Would she hear my task,
And verify my abstract of the book?
And should I sit down to the crochet work?
Was such her pleasure?’ ... Then I sate and teased
The patient needle till it spilt the thread,
Which oozed off from it in meandering lace
From hour to hour. I was not, therefore, sad;
My soul was singing at a work apart
Behind the wall of sense, as safe from harm
As sings the lark when sucked up out of sight,
In vortices of glory and blue air.
Public-domain text, read in full here on John Shaqi.
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