Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman EmpirePutnam, George Haven
History
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire
Putnam, George Haven
Authors and readers -- History; Authorship -- History; Books -- History -- To 400; Literature, Ancient -- Appreciation; Literature, Ancient -- Criticism, Textual; Literature, Ancient -- Manuscripts
Of rewards or compensations given to the earlier Japanese authors
there is no record. The national treasury does not appear to have
been utilized as in China and Assyria. It is possible that the
dramatists may have secured some share of the stage receipts, but it
is probable that the other authors must have contented themselves with
such prestige or honors as came to them from the readers of, or the
listeners to, their compositions.
=India.=--In India, the typical early literature is the myth. There is
no national epic in the Greek use of the term, in which are described
the doings of heroic men. The literary productions are the work of
poets whose imagination has been impressed with the immensity and with
the mystery of the universe, and whose poetic fancies take the form of
visions. These fancies or visions are concerned with the doings of the
gods, while man plays but a small part in the narrative.
Sanscrit literature is said to date back to the fifteenth century B.C.
The written characters have an origin common with that of the Greek
letters. The oldest existing monuments of Indian script are the edicts
of the King Açoka, cut into the stone at Girnar and elsewhere “so that
they might endure for ever”. They date back to the third century B.C.
The first literary period of India presents the poetry of the
_Vedas_, the sacred scriptures of the Sanscrit peoples. The hymns and
invocations comprising the _Vedas_ are supposed to have been collected
about 1000 B.C. This is the date that has by many authorities been
accepted for the collecting of the Homeric poems, and corresponds
nearly with the time fixed for the writing of the Chinese _Book of the
Metamorphoses_. It also tallies with the period to which is ascribed
the production of the Persian _Zend-Avesta_.
The term _Veda_ means knowledge, or sacred knowledge. The collection
of the _Vedas_ comprises four divisions. The _Rig-Veda_, or _Veda of
Praises or Hymns_; the _Sama-Veda_, or _Veda of Chants or Tunes_;
the _Yajur-Veda_, or _Veda of Prayers_; and the _Atharva-Veda_, or
_Brahma-Veda_.
The second literary period, beginning about the fifth century B.C., is
that of the _Folk-Songs_, in which the myth becomes legend, and the
gods, approaching a little closer to the earth, assume more nearly the
character of heroes. The third period is that of the classic poets,
whose productions in lyric and dramatic poetry are ranked with the
great works of literature of the world. This period appears to have
reached its height of productiveness between the sixth and tenth
centuries of our era.
The earliest prose works are the theological writings of the Brahmanic
priests, which take the form of commentaries on the _Vedas_, and which
elucidate the sacred texts, principally from a sacrificial point of
view. The production of these theological commentaries is supposed to
date back to the seventh or sixth century B.C.
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