Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire — John Shaqi
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman EmpirePutnam, George Haven
History
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire
Putnam, George Haven
Authors and readers -- History; Authorship -- History; Books -- History -- To 400; Literature, Ancient -- Appreciation; Literature, Ancient -- Criticism, Textual; Literature, Ancient -- Manuscripts
Buddha, or Gautama, philosopher, poet, reformer, and redeemer of his
people, began his work towards the close of the sixth century B.C. His
teachings gave rise to an enormous production of theological literature
in India, Ceylon, China, and Japan.
The information concerning the materials used by the earlier writers
of India, and as to the methods by which their books were placed
before the public, is very meagre. According to Louisy, the use of
_diphtherai_, or dressed skins, prevailed to some extent. Prepared
palm-leaves were also utilized, particularly by the Buddhist writers of
Ceylon. There appears to have been no general or popular circulation of
the manuscripts. These were costly, and were beyond the means of any
but the very wealthy, while it was also the case that the knowledge of
reading was confined to but limited circles.
It seems probable that the manuscripts were in the main prepared in
the monasteries or temples, and that they were exchanged between the
temples. The teachings of the writers were brought before the people by
preaching or recitations. Certain of the princes also attached to their
courts poets and philosophers, and practically the only libraries or
collections of manuscripts outside of those in the temples, must have
been those contained in the palaces of the few princes who possessed
literary tastes.
There could have been no other way of securing for an author
compensation for his work excepting through princely favors or from the
treasuries of the temples.
=Persia.=--The first name that comes down to us connected with the
literature of Persia is that of Zoroaster. The Persian form of his name
is Zarathustra, meaning the gold-star. The date of his birth is said to
be more uncertain than that of Homer, but he is supposed to have lived
about 1000 B.C.
He is credited with the authorship of the _Gâthas_, hymns partly
religious, partly political. To Zoroaster were also revealed the
teachings which later took shape in the sacred scriptures of the
Persians, the _Zend-Avesta_ (commentary-lore). Of these scriptures,
only one division, the _Vendidad_, has been preserved complete. Of the
other parts only fragments remain. It is estimated that the _Vendidad_
(which means the regulations against demons) represents about one
twentieth of the original collection.
The oldest portion of the _Avesta_ is the _Yasna_, or sacrificial
liturgy. This is a grouping together of the commentaries surrounding
the _Gâthas_. A third division is the _Visparad_, or the _Seasons_, in
which are set forth the lists of the objects sacred to each season. A
fourth division is the _Yescht-Sade_, or little _Avesta_, comprising
prayers and hymns.
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