Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
inquired her other name, and they told him it was Flower. He thought it
an exceedingly poetic and appropriate name; as most young men of twenty
would have thought, under similar circumstances. He noticed the
sequestered lanes where she best loved to rove, when sent out with the
children for exercise; and those lanes became his own favourite places
of resort. Wild flowers furnished a graceful and harmless topic of
conversation; yet Love made even those simple things his messengers.
Patrician Edward offered the rustic Sibella an Eglantine, saying, “This
has a peculiar charm for me, above all flowers. It is so fragrant and
delicately tinted; so gracefully untrained, and so modest in its
pretensions. It always seems to me like a beautiful young maiden,
without artificial culture, but naturally refined and poetic. The first
time I saw you, I thought of a flowering Eglantine; and I have never
since looked at the shrub, without being reminded of you.” She listened,
half abashed and half delighted. She never saw the flower again without
thinking of _him_.
The next day after this little adventure, she received a copy of Moore’s
Melodies, with her name elegantly written therein. The songs, all
sparkling with fancy and warm with love, were well suited to her sixteen
years, and to that critical period in her heart’s experience. She saw in
them a reflection of her own young soul dreamily floating in a
fairy-boat over moon-lighted waters. The mystery attending the gift
increased its charm. The postman left it at the door, and no one knew
whence it came. Within the same envelope was a pressed blossom of the
Eglantine, placed in a sheet of Parisian letter-paper, gracefully
ornamented with a coloured arabesque of Eglantines and German
Forget-me-nots. On it the following verses were inscribed:--
TO SIBELLA FLOWER.
There is a form more light and fair,
Than human tongue can tell,
It seems a spirit of the air.
She is a flower _si belle_!
The lovely cheek more faintly flushed
Than ocean’s rosy shell,
Is like a new-found pearl that blushed,
She is a flower _si belle_!
Her glossy hair in simple braid,
With softly curving swell,
Might well have crowned a Grecian maid.
She is a flower _si belle_!
Her serious and dove-like eyes
Of gentle thoughts do tell;
Serene as summer ev’ning skies.
She is a flower _si belle_!
Her graceful mouth was outlined free
By Cupid’s magic spell,
A bow for his sure archery.
She is a flower _si belle_!
And thence soft silv’ry tones do flow,
Like rills along the dell,
Making sweet music as they go.
She is a flower _si belle_!
Fairer still is the modest mind,
Pure as a crystal well,
In mountain solitude enshrined.
She is a flower _si belle_!
Public-domain text, read in full here on John Shaqi.
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