Now as the entertainment proceeded, I fell into the dumps with
increasing abashment and mortification to see everyone around me, ay,
even the women and the tenderest juveniles! clap the hands and laugh in
their sleeves with merriment at quirks and gleeks in which--in spite of
all my classical proficiency--I could not discover _le mot pour rire_ or
crack so much as the cream of a jest, but must sit there melancholy as a
gib cat or smile at the wrong end of mouth.
For, indeed, I began to fear that I had been fobbed off with the
smattered education of a painted sepulchre, that I should fail so
dolorously to comprehend what was plain as a turnpike-staff to the
veriest British babe and suckling!
However, on observing more closely, I discovered that most of the
grown-up adults present had books containing the translation of all the
witticisms, which they secretly perused, and that the feminality were
also provided with pink leaflets on which the dark outline of the plot
was perspicuously inscribed.
Moreover, on casting my eyes up to the gallery, I perceived that there
were overseers there armed with long canes, and that the small youths
did not indulge in plaudations and hilarity except when threatened by
these.
And thereupon I took heart, seeing that the proceedings were clearly
veiled in an obsolete and cryptic language, and it was simply matter of
rite and custom to applaud at fixed intervals, so I did at Rome as the
Romans did, and was laughter holding both his sides as often as I beheld
the canes in a state of agitation.
I am not unaware that it is to bring a coal from Newcastle to pronounce
any critical opinion upon the ludibrious qualities of so antiquated a
comedy as this, but, while I am wishful to make every allowance for its
having been composed in a period of prehistoric barbarity, I would still
hazard the criticism that it does not excite the simpering guffaw with
the frequency of such modern standard works as _exempli gratiâ_, _Miss
Brown_, or _The Aunt of Charley_, to either of which I would award the
palm for pure whimsicality and gawkiness.
Candour compels me to admit, however, that the conclusion of the
Adelphi, in which a certain magician summoned a black-robed,
steeple-hatted demon from the nether world, who, after commanding a
minion to give a pickle-back to sundry grotesque personages, did
castigate their ulterior portions severely with a large switch, was a
striking amelioration and betterment upon the preceding scenes, and
evinced that TERENCE possessed no deficiency of up-to-date facetiousness
and genuine humour; though I could not but reflect--"_O, si sic omnia!_"
and lament that he should have hidden his _vis comica_ for so long under
the stifling disguise of a _serviette_.
Public-domain text, read in full here on John Shaqi.
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