Thus, by dint of nude gumption, I was in the bed of clover and seventh
heaven, and more so when, on inquiry from a bystander, I understood that
the performance was taken from Mr TERRISS'S Adelphi Theatre, which I had
heard was conspicuous for excellence in fierce combats, blood-curdling
duels, and scenes in court. And I narrated to him how I too, when a
callow and unfledged hobbardyhoy, had engaged in theatrical
entertainments, and played such parts in native dramas as heroic
giant-killers and tiger slayers, in which I was an "_au fait_" and
"_facile princeps_," also in select scenes from SHAKSPEARE'S play of
_Macbeth_ in English and being correctly attired as a Scotch.
But presently I discovered that the play was quite another sort of
Adelphi, being a jocose comedy by a notorious ancient author of the name
of TERENCE, and written entirely in Latin, which a contiguous damsel
expressed a fear lest she should find it incomprehensible and obscure. I
hastened to reassure her by explaining that, having been turned out as a
certificated B.A. by Indian College, I had acquired perfect familiarity
and nodding acquaintance with the early Roman and Latin tongues, and
offering my services as interpreter of "_quicquid agunt homines_," and
the entire "_farrago libelli_," which rendered her red as a turkeycock
with delight and gratitude. When the performance commenced with a scenic
representation of the Roman Acropolis, and a venerable elderly man
soliloquising lengthily to himself, and then carrying on a protracted
logomachy with another greybeard--although I understood sundry
colloquial idioms and phrases such as "_uxorem duxit_," "_carum mihi_,"
"_quid agis?_" "_cur amat?_" and the like, all of which I assiduously
translated _vivâ voce_--I could not succeed in learning the reason why
they were having such a snip-snap, until the interval, when the lady
informed me herself that it was because one of them had carried off a
nautch-girl belonging to the other's son--which caused me to marvel
greatly at her erudition.
I looked that, in the next portion of the performance, I might behold
the nautch-girl, and witness her forcible rescue--or at least some
saltatory exhibition; but, alack! she remained _sotto voce_ and
hermetically sealed; and though other characters, in addition to the
elderly gentlemen, appeared, they were all exclusively masculine in
gender, and there was nothing done but to converse by twos and threes.
When the third portion opened with a long-desiderated peep of
petticoats, I told my neighbour confidently that now at last we were to
see this dancing girl and the abduction; but she replied that it was not
so, for these females were merely the mother of the wife of another of
the youths and her attendant ayah. And even this precious pair, after
weeping and wringing their hands for a while, vanished, not to appear
again.
Public-domain text, read in full here on John Shaqi.
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