Great Britain -- History -- 18th century -- Fiction; Short stories, English; West Riding of Yorkshire (England) -- Fiction
“Risk?” he cried. “What can you risk more than you’re risking now--a
white cap and the mortal push? You’ve risked that this dozen years; and
for what? Clippings and scrapings and filings! You’ve risked Ouse Bridge
for that! Now by ----, there are those in Back o’ th’ Mooin ready to call
Arthur Monjoy king, but I’ll kick my shoes off at the end of a tow for
the chance of being a king in truth!... Risk? Could an army rout us out
o’ that wilderness? Who gets far over Wadsworth Scout without a
‘by-your-leave’? The country’s made for it!--To Pudsay and the ballad,
Matthew!” He drank.
“To the gold they find i’ partridges’ heads and hares’ bellies,” quoth
the merchant, rising. “Well, I suppose we go on the old way while
Arthur’s looking for his silver? A new way o’ finding it, too; happen
it’ll be a new sort o’ silver. We’ll have to wait for the plating-plant
too, now. Ah, well!--The next meeting’s at the ‘Gooise’.... Nay, if
we’re all stirring I’ll turn the lamps down; there’s no sense in wasting
oil; we aren’t kings yet----”
He turned low the lamps that made on the ceiling the rings that
intersected like the eyes of an owl.
CHAPTER III.
“JOHNNY COPE.”
The house occupied by the new supervisor of excise lay up a narrow
cobbled croft, turning sharp from the Fullergate by the “Fullers’ Arms.”
It was, in reality, half of what had once been a considerable house,
extending along the top of the croft; but the right-hand portion had for
long been boarded and shuttered, and a pear-tree, planted by design or
lack of thought close to the wall, divided the two portions. The lower
part of the tree grew of necessity outwards; but at the eaves it spread
back and embowered in its branches two dormer windows. Between the
cobbles of the croft grass grew; the place was retired and quiet; and on
the roof-flags pigeons crooned and flirted and made white droppings.
The shop of Cole the clogger was in the extreme corner, adjoining the
supervisor’s house. It lay in the basement, reached by half a dozen
stone steps down a sort of well, and its window was flush with the
grass and the cobbles. Thus, appropriately enough, the clogger was able
to recognise his visitors by that portion of their attire that was in
many cases his own handiwork. There was no mistaking the calliper-legs
of Pim o’ Cuddy, the darned blue worsted that cased Mish Murgatroyd’s
shins, the vast calf-muscles of Big Monjoy, nor the pudding ankles of
fat Dooina Benn, the clogger’s sister.
A facetious soul, Cole the clogger was, and apparently a well-beloved by
his neighbours. He was seldom without visitors, on his steps, on the
bench within his door, or supporting his outer wall. As he shaped the
wooden soles in his vice, or with his cobbler’s knife carved the stiff
uppers, Cole ever declared that the odour of the leather that soaked in
his tubs of black water was as good for the lungs as his sister’s
gentian, and none who wore his clogs (he vowed) suffered from toothache
or neuralgia.
Public-domain text, read in full here on John Shaqi.
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