Back to the Woods: The Story of a Fall from GraceHobart, George V. (George Vere)
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Back to the Woods: The Story of a Fall from Grace
Hobart, George V. (George Vere)
Humorous stories; United States -- Social life and customs -- Fiction
"Sorry," I echoed, tearfully; "why, it's breaking my heart to leave
this cozy little collar box of a home and go into a great large
country house full of--of--of rooms, and--er--and windows,
and--er--and--er--piazzas, and--and--and cows and things like that."
"Of course we wouldn't have to keep the cow in the house," she
said, thoughtfully.
"Oh, no," I said, "that's the point. There would be a barn, and
you haven't any idea how dangerous barns are. They are the curse
of country life, barns are."
"Well, then, John, why did you buy the cow?" she inquired, and I
went up and punched a hole in the plaster.
Why did I buy the cow? Was there a cow? Had Bunch ever mentioned
a cow to me? Come to think of it he hadn't and there I was cooking
trouble over a slow fire.
When I came to she was saying quietly, "Besides, I think I'd rather
have a milkman than a cow. Milkmen swear a lot and cheat sometimes
but as a rule they are more trustworthy than cows, and they very
seldom chase anybody. Couldn't you turn the barn into a gymnasium
or something?"
"Dearie," I said, trying my level best to get a mist over my lamps
so as to give her the teardrop gaze, "something keeps whispering to
me, 'Sidestep that cave in the wilderness!' Something keeps
telling me that a month on the farm will put a crimp in our
happiness, and that the moment we move into a home in the tall
grass ill luck will get up and put the boots to our wedded bliss."
Then I gave an imitation of a choking sob which sounded for all the
world like the last dying shriek of a bathtub when the water is
busy leaving it.
"Nonsense, John!" laughed Clara J.; "it's only natural that you
regret leaving our first home, but after one day in the country
you'll be happy as a king."
"Make it a deuce," I muttered; "a dirty deuce at that."
"Now," she said, joyfully; "I'm going to cook your breakfast. This
may be your very last breakfast in a city apartment for months,
maybe years, so I'm going to cook it myself. I've got every trunk
packed--haven't I worked hard? Get up, you lazy boy!" and with
this she danced out of the room.
Every trunk packed! Did she intend taking them with her, and if
she did how could I stop her?
Back to the woods!
I began to feel like a street just before they put the asphalt down.
For some time I lay there with my brain huddled up in one corner of
my head, fluttering and frightened.
Presently an insistent scratch-r-r-r-r aroused me and I began to
sit up and notice things.
The things I noticed consisted chiefly of Tacks and the kitchen
carving knife. The former was seated on the floor laboriously
engineering the latter in an endeavor to produce a large
arrow-pierced heart on the polished panel of the bedroom door.
"What's the idea?" I inquired.
"I'm farewelling the place," he answered, mournfully. "They's only
two more doors to farewell after I get this one finished. Ain't
hearts awful hard to drawr just right, 'specially when the knife
slips!"
Public-domain text, read in full here on John Shaqi.
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