Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
General
Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
“Well, well, well!” exclaimed Uncle Billy, in a tone that seemed to
combine reflection with astonishment. “Jerry Moseley’s son; I disremember
the day when Brother Moseley came into my mind, an’ yit, now that I hear
his name bandied about up here on the hill, it carries me back to ole
times. He weren’t much of a preacher on his own hook, but let ’im foller
along for to clench the sermon, an’ his match couldn’t be foun’ in them
days. Yit, Jerry was a man of peace, an’ here’s his son a-gwine about
with guns an’ pistols, an’ what not, a-tryin’ to give peaceable folks a
smell of war.”
“Oh, no!” said Captain Moseley, laughing; “we are just hunting up some
old acquaintances,—some friends of ours that we’d like to see.”
“Well,” said Uncle Billy, sinking his knife deep into the soft pine
bark, “it’s bad weather for a frolic, an’ it ain’t much better for a
straight-out, eve’y-day call. Speshually up here on the hill, where the
ground is so wet and slipperyfied. It looks like you’ve come a mighty
long ways for to pay a friendly call. An’ yit,” the old man continued,
looking up at the captain with a smile that well became his patriarchal
face, “thar ain’t a cabin on the hill whar you won’t be more than
welcome. Yes, sir; wheresomever you find a h’a’thstone, thar you’ll find
a place to rest.”
“So I have heard,” said the captain. “But maybe you can cut our journey
short. We have a message for Israel Spurlock.”
Immediately Captain Moseley knew that the placid and kindly face of
Uncle Billy Powers had led him into making a mistake. He knew that he
had mentioned Israel Spurlock’s name to the wrong man at the wrong time.
There was a scarcely perceptible frown on Uncle Billy’s face as he raised
it from his piece of pine bark, which was now assuming the shape of a
horseman’s pistol, and he looked at the captain through half-closed
eyelids.
“Come, now,” he exclaimed, “ain’t Israel Spurlock in the war? Didn’t a
posse ketch ’im down yander in Jasper an’ take an’ cornscrip’ ’im into
the army? Run it over in your mind now! Ain’t Israel Spurlock crippled
some’r’s, an’ ain’t your message for his poor ole mammy?”
“No, no,” said the captain, laughing, and trying to hide his inward
irritation.
“Not so?” exclaimed Uncle Billy. “Well, sir, you must be shore an’ set
me right when I go wrong; but I’ll tell you right pine blank, I’ve had
Israel Spurlock in my min’ off an’ on’ ev’ry since they run him down
an’ kotch him an’ drug ’im off to war. He was weakly like from the time
he was a boy, an’ when I heard you call forth his name, I allowed to
myself, says I, ‘Israel Spurlock is sick, an’ they’ve come atter his ole
mammy to go an’ nuss him.’ That’s the idee that riz up in my min’.”
A man more shrewd than Captain Moseley would have been deceived by the
bland simplicity of Uncle Billy’s tone.
Public-domain text, read in full here on John Shaqi.
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