German fiction -- Translations into English; Holy Roman Empire -- History -- Charles V, 1519-1556 -- Fiction
He was now leaning with bowed head against the wall, both hands clasped
under his beardless chin, and might have been taken for a monk re peating
his prayers. The long, brown doublet fastened around his hips by a Hemp
rope, instead of a girdle, made him resemble a Franciscan. But his
thick, flaxen hair lacked the tonsure, the rope the rosary, and he wore
coarse leather shoes on his large feet.
Barbara fancied that she had seen this strange figure somewhere, and he,
too, must have recognised her, for he bowed when she looked at him.
There was not the slightest movement of the body except the small eyes,
which wandered restlessly around the spacious room as if they missed
something.
The inquiry what he found lacking here was already rising to Barbara's
lips when the syndic's wife came toward her, preceded by her daughter
Martina, who, radiant with joy at seeing the ardently admired singer in
her own house, kissed her with fervent affection.
The mother merely extended her hand to Barbara, yet the whole manner of
the gentle, reserved woman showed that she was a welcome guest.
Frau Sabina loved and understood music, still enjoyed singing hymns with
the members of her household, and had done everything in her power to aid
the establishment of the Convivium musicum and foster its progress.
Interest in music had also united her to Dr. Martin Luther, her husband's
friend, and mane a composition of the Wittenberg ecclesiastic had first
been performed at the Hiltners.
The old faith offered so much more to charm the senses than the new one!
Therefore it seemed a special cause for thanksgiving that singing and
playing upon the organ occupied a prominent place in the Protestant
religious service, and that Luther most warmly commended the fostering of
music to those who professed the evangelical belief. Besides, her
adopted son Erasmus, the new Wittenberg master of arts, had devoted
himself eagerly to music, and composed several hymns which, if Damian
Feys permitted it, would be sung in the Convivium musicum.
Frau Sabina Hiltner had often met Barbara there, and had noticed with
admiration and pleasure the great progress which this richly gifted young
creature had made under the direction of the Netherland master.
Other members of the Convivium, on the contrary, bore Barbara a grudge
because she remained a Catholic, and many a mother of a daughter whom
Barbara, as a singer, had cast too far into the shade, would gladly have
thrust her out of the circle of music-loving citizens.
Frau Sabina and Master Feys, who, like the much-envied girl, was a
professor of the old faith, interceded for her all the more warmly.
Public-domain text, read in full here on John Shaqi.
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