Barclay of Ury, and other poems: Part 3 From Volume I of The Works of John Greenleaf Whittier — John Shaqi
Barclay of Ury, and other poems: Part 3 From Volume I of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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Barclay of Ury, and other poems: Part 3 From Volume I of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American poetry -- 19th century
Slowly passed that August Presence
Down the thronged and shouting street;
Village girls as white as angels,
Scattering flowers around his feet.
Midway, where the plane-tree's shadow
Deepest fell, his rein he drew
On his stately head, uncovered,
Cool and soft the west-wind blew.
And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,--
On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.
And he said, the landscape sweeping
Slowly with his ungloved hand,
"I have seen no prospect fairer
In this goodly Eastern land."
Then the bugles of his escort
Stirred to life the cavalcade
And that head, so bare and stately,
Vanished down the depths of shade.
Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.
But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the desert's shifting sand.
Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;
Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.
Where the ancient cobbler, Keezar,
On the open hillside wrought,
Singing, as he drew his stitches,
Songs his German masters taught,
Singing, with his gray hair floating
Round his rosy ample face,--
Now a thousand Saxon craftsmen
Stitch and hammer in his place.
All the pastoral lanes so grassy
Now are Traffic's dusty streets;
From the village, grown a city,
Fast the rural grace retreats.
But, still green, and tall, and stately,
On the river's winding shores,
Stand the Occidental plane-trees,
Stand, Hugh Taliant's sycamores.
1857.
THE PIPES AT LUCKNOW.
An incident of the Sepoy mutiny.
PIPES of the misty moorlands,
Voice of the glens and hills;
The droning of the torrents,
The treble of the rills!
Not the braes of broom and heather,
Nor the mountains dark with rain,
Nor maiden bower, nor border tower,
Have heard your sweetest strain!
Dear to the Lowland reaper,
And plaided mountaineer,--
To the cottage and the castle
The Scottish pipes are dear;--
Sweet sounds the ancient pibroch
O'er mountain, loch, and glade;
But the sweetest of all music
The pipes at Lucknow played.
Day by day the Indian tiger
Louder yelled, and nearer crept;
Round and round the jungle-serpent
Near and nearer circles swept.
"Pray for rescue, wives and mothers,--
Pray to-day!" the soldier said;
"To-morrow, death's between us
And the wrong and shame we dread."
Oh, they listened, looked, and waited,
Till their hope became despair;
And the sobs of low bewailing
Filled the pauses of their prayer.
Then up spake a Scottish maiden,
With her ear unto the ground
"Dinna ye hear it?--dinna ye hear it?
The pipes o' Havelock sound!"
Public-domain text, read in full here on John Shaqi.
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