Barclay of Ury, and other poems: Part 3 From Volume I of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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Barclay of Ury, and other poems: Part 3 From Volume I of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American poetry -- 19th century
Hushed the wounded man his groaning;
Hushed the wife her little ones;
Alone they heard the drum-roll
And the roar of Sepoy guns.
But to sounds of home and childhood
The Highland ear was true;--
As her mother's cradle-crooning
The mountain pipes she knew.
Like the march of soundless music
Through the vision of the seer,
More of feeling than of hearing,
Of the heart than of the ear,
She knew the droning pibroch,
She knew the Campbell's call
"Hark! hear ye no' MacGregor's,
The grandest o' them all!"
Oh, they listened, dumb and breathless,
And they caught the sound at last;
Faint and far beyond the Goomtee
Rose and fell the piper's blast
Then a burst of wild thanksgiving
Mingled woman's voice and man's;
"God be praised!--the march of Havelock!
The piping of the clans!"
Louder, nearer, fierce as vengeance,
Sharp and shrill as swords at strife,
Came the wild MacGregor's clan-call,
Stinging all the air to life.
But when the far-off dust-cloud
To plaided legions grew,
Full tenderly and blithesomely
The pipes of rescue blew!
Round the silver domes of Lucknow,
Moslem mosque and Pagan shrine,
Breathed the air to Britons dearest,
The air of Auld Lang Syne.
O'er the cruel roll of war-drums
Rose that sweet and homelike strain;
And the tartan clove the turban,
As the Goomtee cleaves the plain.
Dear to the corn-land reaper
And plaided mountaineer,--
To the cottage and the castle
The piper's song is dear.
Sweet sounds the Gaelic pibroch
O'er mountain, glen, and glade;
But the sweetest of all music
The Pipes at Lucknow played!
1858.
TELLING THE BEES.
A remarkable custom, brought from the Old Country, formerly prevailed
in the rural districts of New England. On the death of a member of the
family, the bees were at once informed of the event, and their hives
dressed in mourning. This ceremonial was supposed to be necessary to
prevent the swarms from leaving their hives and seeking a new home.
HERE is the place; right over the hill
Runs the path I took;
You can see the gap in the old wall still,
And the stepping-stones in the shallow brook.
There is the house, with the gate red-barred,
And the poplars tall;
And the barn's brown length, and the cattle-yard,
And the white horns tossing above the wall.
There are the beehives ranged in the sun;
And down by the brink
Of the brook are her poor flowers, weed-o'errun,
Pansy and daffodil, rose and pink.
A year has gone, as the tortoise goes,
Heavy and slow;
And the same rose blooms, and the same sun glows,
And the same brook sings of a year ago.
There's the same sweet clover-smell in the breeze;
And the June sun warm
Tangles his wings of fire in the trees,
Setting, as then, over Fernside farm.
I mind me how with a lover's care
From my Sunday coat
I brushed off the burrs, and smoothed my hair,
And cooled at the brookside my brow and
throat.
Since we parted, a month had passed,--
To love, a year;
Down through the beeches I looked at last
On the little red gate and the well-sweep near.
Public-domain text, read in full here on John Shaqi.
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