Country life -- Fiction; Pastoral fiction; Piedmont (U.S. : Region) -- Fiction; Virginia -- Fiction
Family prayers in the evening provided the solitary emotional outlet in
her existence. Only then, while she read aloud one of the more
belligerent Psalms, and bent her rheumatic knees to the rag carpet in
her "chamber," were the frustrated instincts of her being etherealized
into spiritual passion. When the boys rebelled, as they sometimes did,
or Dorinda protested that she was "too busy for prayers," Mrs. Oakley
contended with the earnestness of a Covenanter: "If it wasn't for the
help of my religion, I could never keep going."
Now, having finished their meal in silence, they gathered in the
chamber, as the big bedroom was called, and waited for evening prayers.
It was the only comfortable room in the house, except the kitchen, and
the family life after working hours was lived in front of the big
fireplace, in which chips, lightwood knots, and hickory logs were burned
from dawn until midnight. Before the flames there was a crooked brass
footman, and the big iron kettle it supported kept up an uninterrupted
hissing noise. In one corner of the room stood a tall rosewood bookcase,
which contained the romantic fiction Dorinda had gleaned from the heavy
theological library in the parlour across the hall. Between the front
windows, which looked out on a cluster of old lilac bushes, there was
the huge walnut bed, with four stout posts and no curtains, and facing
it between the windows, in the opposite walls, a small cabinet of
lacquer-ware which her great-grandfather had brought from the East. In
the morning and afternoon the sunlight fell in splinters over the
variegated design of the rag carpet and the patchwork quilt on the bed,
and picked out the yellow specks in the engravings of John Knox
admonishing Mary Stuart and Martyrs for the Covenant.
"_The heavens declare the glory of God; and the firmament sheweth his
handywork_," read Mrs. Oakley in her high thin voice, with her mystic
gaze passing over the open Bible to the whitewashed wall where the
shadows of the flames wavered.
Public-domain text, read in full here on John Shaqi.
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