Country life -- Fiction; Pastoral fiction; Piedmont (U.S. : Region) -- Fiction; Virginia -- Fiction
She turned to Jason and replaced a pillow which had slipped from under
his head. His boots, with lumps of red clay still clinging to them, were
stretched out stiffly on the pile of rugs. And those worn boots with the
earth on the soles seemed to her so poignantly moving that her eyes
filled with tears. His cough stopped, and she spoke to him in a raised
voice as if he were at a distance, "Are you suffering now?"
If he heard her, he made no response. It seemed to her while she looked
at him that he was in reality at a distance, that everything but the
shell of physical pain in which he was imprisoned had already perished.
She wondered if he remembered her, or if her image had dropped from him,
with other material objects, in that blind wilderness. From his apathy,
she might have been no more to him than one of the old women in the
poorhouse. A shiver ran over her, as if she had been touched by a dead
hand. Youth, beauty, victory, revenge,--what did any of these things
signify before the inevitable triumph of time?
Yes, time had revenged her. If she had stood still, if she had not
lifted a finger to help, time would still have revenged her; for time,
she saw, always revenges one. She thought of the hot agony of that other
October afternoon. Of the patter of rain on the roof. Of the smell of
wet grass underfoot. Of the sodden sky. Of the branches whipping her
face.
They passed the station, where a train had just gone by; they passed the
old Haney place, where the new German tenant was ploughing; they passed
Honeycomb Farm and the fork of the road, where the burned cabin and the
blasted oak used to be. The new gate stood there now, and beyond it,
there was the sandy road through the meadows of Joe-Pyeweed and
life-everlasting. Against the sky, she could still see unchanged the
chimneys of Five Oaks. Then they spun easily down the wooded slope,
crawled over the patch of corduroy road, and, turning in at the bridge,
rolled up to the front porch of Old Farm.
"Well, we got him here," John Abner said, with a breath of relief.
As they helped Jason to alight, it seemed to Dorinda that his bones were
crumbling beneath her touch. If she had awakened to find that the whole
afternoon had been a nightmare, she would have felt no surprise. Even
the quiet house, with its air of patient expectancy, startled her by its
strangeness.
Mirandy, a big, strong, compassionate old negress, who was born for a
nurse but had missed her vocation until she was too old to profit by it,
came out to help, and among them they carried Jason into the spare room
and put him to bed. His clothes were so soiled and ragged that John
Abner went upstairs and brought down some woollen things of his own. A
fire blazed in the cavernous fireplace. Ripples of light and shadow
danced over the yellow walls. The whole room smelt of burning logs and
of the branches of pine on the mantelpiece. Warmth, peace, comfort,
enfolded them as they entered.
Public-domain text, read in full here on John Shaqi.
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