Country life -- Fiction; Pastoral fiction; Piedmont (U.S. : Region) -- Fiction; Virginia -- Fiction
"So this is the end," she said aloud, and then very slowly, "I didn't
know I could feel like this. I didn't know anybody could feel like
this." A phrase of her mother's, coloured with the barbaric imagery of a
Hebrew prophet, was driven, as aimlessly as a wisp of straw, into her
mind: "Your great-grandfather said he never came to Christ till he had
thirsted for blood." Thirsted for blood! She had never known what that
meant. It had seemed to her a strange way to come to Christ, but now she
understood.
The wet briers tore her legs through her stockings. Branches whipped her
face and bruised its delicate flesh. Once, when she came out of the
woods, she slipped and fell on her hands and knees. The splinters of the
fence pierced her skin when she climbed over the rails. But still she
ran on, trying to escape from the fire within her breast.
XIV
On the front porch, with her hand shielding her eyes from the sunset,
her mother stood and looked out for her.
"I was watching for you, Dorinda. You must have got caught in the
storm."
"Just at the beginning. I stopped at Five Oaks."
"Was anybody there?"
"Nobody but the old doctor. Jemima was off."
"Did he say when he expected Jason?"
"Yes, he told me he might come back this evening."
Once, long ago, she had heard a ventriloquist at a circus, and her voice
was like the voice that had come out of the chair, the table, or the wax
doll. As she stepped on the porch, her mother examined her closely.
"Well, you're as white as a sheet. Go up and take off your wet things as
quick as you can, and bring 'em down to the fire. Supper'll be ready in
a minute."
Dorinda tried to smile when she hurried by, but her muscles, she found,
eluded the control of her will, and the smile was twisted into a
smirking grimace. Without trusting herself to meet her mother's eyes,
she went upstairs to her room and took off her rain-soaked clothes,
hanging her skirt and shirtwaist in the closet, and putting her muddy
shoes side by side, as if they were standing at attention on the edge of
the rug. Pushing back the curtain over the row of hooks, she selected an
old blue gingham dress which she had discarded, and put it on, carefully
adjusting the belt, from which the hooks and eyes, were missing, with
the help of a safety pin. All the time, while she performed these
trivial acts, she felt that her intimate personal self had stepped
outside her body, and was watching her from a distance. When she went
downstairs, it was only a marionette, like one of the figures she had
seen as a child in a Punch and Judy show, that descended the stairs and
sat down at the table. She looked at her father and mother, her father
eating so noisily, her mother pouring buttermilk, without spilling a
drop, into the row of glasses, and wondered what she had to do with
these people? Why had she been born in this family and not in another?
Could she have been a changeling that they had picked up?
Public-domain text, read in full here on John Shaqi.
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