Everything, in contrast with the frozen, death-like cave, indicated life, activity. Near her, a plane-tree, which in nature's language is the emblem of genius, towered into the sky; around its trunk twined the passion-flower, meaning, in Flora's tongue, "Holy love"; while just above her head, sipping the nectar from an open blossom, was a bright-hued butterfly, the symbol of immortality. By her side stood the same tall, manly form, with face still averted. He was pointing, and her eyes, softened, and yet lustrous and happy, were following where a path wound through a long vista, in alternate light and shadow, to a gate, that in the distance looked like a pearl. Above and beyond it, in airy outline, rose the walls and towers of the Holy City, the New Jerusalem. For a long time she sat in rapt attention. Moment by moment the paintings in their meaning grew upon her. At last her eyes filled with tears, her bosom rose and fell with an emotion most unwonted, and in low tones she murmured: "Heavenly delusion! and taught with the logic I most dearly love. Oh, that I could believe it! I would give ten thousand years of the life I am leading to know that it is true. Is there, can there be a path that leads through light or shade to a final and heavenly home? If this is true, in spite of all my father's keen and seemingly convincing arguments, what a terrible mistake our life is!" Then her thoughts reverted to the artist. "What have I done in driving him away with contempt in his heart for me? I can no more affect haughty superiority to the man who painted those pictures. Though he could not be my lover, what a friend he might have been! I fear I shall never find his equal. Oh, this world of chaos and confusion! What is right? What is best? _What is truth?_ He might have taught me. But the skilful hand that portrayed those wonderful scenes may soon turn to dust, and I shall go to my grave burdened with the thought that I have quenched the brightest genius that will ever shine upon me;" and she clasped her hands in an agony of regret. Then came the thought of securing the pictures. Dropping a veil over her red eyes, she went down and got some large sheets of paper, and by fastening them together made a secure covering. Then she carried the light frame with the canvas to the second floor, and, summoning Ernst, started homeward with her treasure. The boy obeyed with reluctance. Since the time she had surprised him out of his secret in regard to the strawberries, he had never liked her, and now he felt that in some way she was the cause of the sickness of his dearest friend. Christine could not bear the reproach of his large, truthful eyes, and their walk was a silent one. At parting she handed him a banknote, but he shook his head. "Have you heard from Mr. Fleet?" she asked, with a flush.