He begins to live only when I go forth—though, alas, he cannot
always be said to begin life even then! For after I leave the house
the question is whether I am going to turn towards the right, that
is, down the avenue that leads into the open and to the solitude
of our hunting-grounds, or towards the left in the direction of
the tram station in order to ride to the city and into the great
and spacious world. It is only in the first instance that Bashan
finds that there is any sense in accompanying me. At first he
joined me after I had chosen the great and spacious world, regarded
with vast astonishment the car as it came thundering on, and,
forcibly suppressing his shyness, made a blind and loyal jump upon
the platform, directly amongst the passengers. But the storm of
public indignation swept him off again, and so he resolved to go
galloping alongside the roaring vehicle—which bore so little
resemblance to the farm wagon between the wheels of which he had
once trotted. Faithfully he kept step as long as this was possible,
and his wind would no doubt have held out too. But being a son of
the upland farm, he was lost in the traffic of the metropolis; he
got between people’s legs, strange dogs made flank attacks upon
him; a tumult of wild odours such as he had never before experienced,
vexed and confused his senses; house-corners, impregnated with the
essences of old adventures, lured him irresistibly. He remained
behind, and though he once more overtook the wagon on rails, this
proved to be a wrong one, even though it exactly resembled the
right one. Bashan ran blindly in the wrong direction, lost himself
more and more in the disconcerting strangeness of the world. And
it was more than two days before he came home, starved and
limping—to that last house along the river to which his master had
also been sensible enough to return in the meantime.
This happened two or three times, then Bashan finally gave up
accompanying me when I turned towards the left. He knows instantly
what I intend to do as soon as I emerge from the doorway of the
house—make a trip to the hunting-grounds or a trip to the great
world. He jumps up from the door-mat upon which he has been awaiting
my coming forth under the protecting arch of the entrance. He jumps
up and at the same moment he sees what my intentions are. My
clothing betrays these to him, the cane that I carry, also my
attitude and expression, the cool and preoccupied look I give him,
or the irritation and challenge in my eyes. He understands. Headlong
he plunges down the steps and goes dancing before me in swift and
sudden bounds and full of excitement towards the gate when my going
forth seems to be certain. But when he beholds hope vanish, he
subsides within himself, lays his ears close to his head and his
eyes take on that expression of shy misery which is found in
contrite sinners—that look which misfortune begets in the eyes of
men and also of animals.
Public-domain text, read in full here on John Shaqi.
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