of human laughter, or how a troubled, helpless, and melancholy
reflection of this appears and vanishes again to give way to the
stigmata of fear and embarrassment, and then how it once more makes
its wry appearance. . . .
But it is best to pause here and not involve myself deeper in
detail. I must not allow my descriptions to exceed the limits which
I have set. I merely wish to show my hero in all his glory and in
his natural elements and in that position in life in which he is
most himself and which casts the most favourable light upon his
various gifts and accomplishments—that is to say, the hunt or
chase. I must, however, as a preliminary, make the reader more
closely acquainted with the scene of these joys—our hunting-grounds—my
landscape along the river. For there is a strange affinity between
this and the person of Bashan. This strip of land is as dear to me
as it is to him—it is intimate and full of meaning—like himself.
Therefore, without further ado or novellistic preciosity, let the
following suffice in the way of description:—
THE HUNTING-GROUNDS
CHAPTER IV
THE HUNTING-GROUNDS
In the gardens of our small but spaciously arranged colony of
villas there are huge trees—ancient giants which tower above the
roofs. They offer a marked contrast to the tender saplings but
recently planted. There can be no mistaking the fact that these
trees are the original growth—the aboriginal inhabitants of this
region. They are the pride and beauty of this still youthful
settlement. They have been carefully preserved and tended—as far
as this was possible. At those points where they happened to come
into conflict with the surveyor’s lines or with the fences dividing
the various lots or tracts of land, that is to say, where some
mossy, silvery, venerable trunk happened to be standing precisely
on the lines of demarcation, you will find that the fence has made
a little loop around the tree-trunk or that a gap has been left in
the concrete of the garden wall. In these openings the Old Ones
now tower, half privately, half publicly, their naked branches
loaded with snow or bedizened with their small-leafed, late-sprouting
foliage.
Public-domain text, read in full here on John Shaqi.
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