It is true that the unyielding stone is not particularly good
going, but one is fully recompensed by the intimate proximity of
the water. Then one is also able now and then to walk in the _sand_
beside the quay. Yes, there is real sand there between the gravel
and the beach-grass, sand that is a trifle mixed with clay and not
so sacredly pure as that of the sea, but nevertheless real sand
that has been washed up. I am thus able to fancy myself strolling
upon a real strand down there, inscrutably drawing my foot along
the perilous edge of the salt flood. There is no lack of surgings,
even if there is of surges, nor of the clamour of gulls, nor of
that kind of space-annihilating monotony which lulls one into a
sort of narcotic absentmindedness. The level cataracts are rushing
and roaring all around, and halfway to the ferryman’s house—the
voice of a waterfall joins the chorus—from over yonder where the
canal, debouching at a slant, pours itself into a river. The body
of this fall is arched, smooth, glassy like that of a fish, and an
everlasting boiling tumult goes on at its base.
It is beautiful here when the sky is blue and the flat ferry
decorated with a pennant in honour of the weather or some other
festival occasion. There are other boats in this spot, but the
ferry is fastened to a wire rope which in turn is fastened to
another and thicker wire cable. This is stretched across the river
in such a way as to let a pulley run along it. The current itself
furnishes the motive power for the ferryboat and a pressure from
the ferryman’s hand upon the rudder does the rest. The ferryman
lives in the ferry-house with his wife and child, and this house
lies a short distance from the upper footpath. It has a little
garden and a hen-house, and is evidently an official dwelling and
therefore rent-free. It is a kind of villa of liliputian proportions,
lightly and whimsically built with little bays and gables, and
appears to boast of two rooms below and two above. I love to sit
on the bench in front of the garden close to the upper footpath.
Bashan then squats upon my foot; the hens of the ferryman amble
about me and give their heads a forward jerk with every step. And
usually the cock comes to perch upon the back of the bench and lets
the green Bersaglieri feathers of his tail hang down behind,
sitting beside me thus and measuring me luridly from the side with
his red eye.
Public-domain text, read in full here on John Shaqi.
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