Without showing the slightest sign of undue haste the ferryman
walks with swinging arms through his little garden, crosses the
footpath, descends the wooden steps to the river, pushes off the
ferry, and holds the rudder whilst the pulley runs along the taut
wire, and the boat is driven across by the current. The boat bumps
against the other bank; the stranger jumps in; upon reaching the
hither bank he hands the ferryman a nickel coin and leaps up the
wooden steps with alacrity. He has conquered the river, and turns
either to the right or to the left. Sometimes when the ferryman is
prevented from being at his post, either through illness or more
urgent household affairs, then his wife or even his child will come
out of the house and fetch the stranger across. They are able to
perform this office as well as he—even I could attend to it. The
job of the ferryman is an easy one and requires no special capacity
or training. Surely he is a lucky man, this ferrymaster, in having
such a job and being able to live in the neat dwarf villa. Any fool
would at once be able to step into his place, and the knowledge of
this keeps him modest and grateful. On the way back to his house
he greets me very politely (with _Grüss Gott_) as I sit there on
the wooden bench between the dog and the rooster. It is clear that
he wishes to remain on a good footing with every one.
A smell of tar, a wind brushing across the waters, and a plashing
sound against the wooden sides of the boats. What more could I
desire? Sometimes I am seized by another memory of home. It comes
upon me when the water is deep and still and there is a somewhat
musty odour in the air, and then these things take me back to the
Laguna, back to Venice, where I spent so many years of my youth.
And then again there is storm and there is flood, and the
everlasting rain comes pouring down. Wrapped in a rubber coat, with
wet and streaming face, I brace myself against the stiff west wind
along the upper way, a wind that tears the young poplars from their
poles and makes it clear why the trees here incline away from the
west and have crowns which grow only from one side of the branches.
When we go walking in rains such as these, Bashan frequently stands
still and shakes himself so that he is the dark centre of a dull,
gray flurry of water. The river at such times is a different river.
Swollen, murky-yellow, it comes rolling on, wearing upon its face
an ominous catastrophic look. This storm-flood is full of a
lurching, crowding, tremendous haste, an insensate hurry. It usurps
the entire reserve channel up to the very edge of the escarpment,
and leaps up against the concrete walls, the protective works of
willow boughs, so that one involuntarily utters thanks to the wise
forethought which established these defences. The eerie thing about
these flood-waters is that the river grows quiet, much quieter than
usual, in fact it becomes almost silent. The customary surface
Public-domain text, read in full here on John Shaqi.
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