Lesotho -- Social life and customs; Sotho (African people)
They possess few customs which might be strictly termed religious, most
of their beliefs being superstitions connected with the spirits of their
forefathers, to whom they pray in times of trouble, and of whom they
stand in great awe, offering sacrifices from time to time, with the view
of assuaging their wrath; but acts of praise or actual devotion were
unknown until the introduction of Christianity.
They have a few musical instruments, all very similar in appearance at
first sight, but each varying a good deal with regard to the sounds
produced. The simplest is the "Setolotolo," which is made by boring a
hole in each end of a thick stick, into which are fixed two small pieces
of cane, a piece about three inches long at the top, and one nearly
double that length at the bottom. These are bent over and drawn towards
each other by a thin wire or the twisted hairs from a horse's tail. The
mouth of the musician is laid to the stick near the top, his left hand
holds it near the bottom, while with the first finger and thumb of his
right hand he touches the string at various distances from each end, at
the same time making a peculiar little note in his own throat. The whole
performance is weird and doleful in the extreme.
The "Seho," the "Lesiba," and in fact all the other musical instruments
produce sounds the reverse of lively, but they are by no means harsh or
unpleasing to the ear, and, heard in their native element, with the wild
and picturesque surroundings of a Basuto village, or when played by the
herds, leading (for cattle are never driven) the cattle to or from
pasture, they certainly impress one favourably. The drum, on the other
hand, is a thing to be shunned. It is made of bladder stretched over an
earthenware pot which has had the bottom knocked out, to render the
sound more hollow. It is placed on two stones and played, not with two
small (or one large) drum sticks as in civilized countries, but with the
hands. A booming, melancholy howl, like a creature in torment, is the
result at a distance. These drums are only used in the spring-time, when
the girls are being called to the native "schools," and on the feast day
which terminates the "school" for that year, usually a period of from
four to six months, according to the amount of food and the number of
girls in each "school." In November every year, night after night, the
stillness is broken by these hideous drums. The girls' schools are
conducted by old hags, who are supposed to be learned in all witchcraft,
and to possess the "evil eye." These women profess to teach the girls to
grind, weed, smear, cook, and, in fact, all household duties, in
addition to many other instructions in "medicines," folk-lore, and some
very barbarous practices, of which it is impossible to write.
Public-domain text, read in full here on John Shaqi.
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